Annemarie Lewis Thomas, Principal
Originally from Swansea, Annemarie trained At Middlesex Polytechnic, graduating with an honours degree in Performing Arts.
As the Musical Director for the award winning Steam Industry she was the MD/Arranger for shows such as the London stage premiere of Calamity Jane, The King and I, The Sound of Music, Seven Brides for Seven Brothers all at BAC. Other MD/arrranging credits include: UK No 1 tours of Annie, Totally Frocked Up, Stage Stars and Spirit of the Musicals, the Irish premiere of Rent; Martin Charnin’s 9 And a Half Quid Revue at the King’s Head; the UK premieres of Victor/Victoria, The Ultimate Man and Reefer Madness all at the Bridewell: the UK premiere of Naked Boys Singing at Madame JoJos: Pendragon for the NYMT on tour in Japan, Funeral Games, Dick Daredevil, South Pacific and Kiss and Tell all at the Drill Hall, London, for which she also composed the music. She works regularly with Perfect Pitch most recently MD’ing’ From Up Here in their West End Showcase.
Her composing credits include: Dangerous Nights at Jermyn Street; Mulan, Island of Clowns and Back to Front all the NYMT; CCTV, The Open Door, Girl In The Ashes, Sunnyville, Great Expectations, Fool’s Gold all for the YMT:UK. She composed the music for Bryony Lavery’s play Her Aching Heart for Drill Hall and La Pucelle at the Oval House. She also wrote the music for The Roaring Girl and Man is Man both at the Finborough. In collaboration with Phil Willmott Annemarie wrote the music to Around the World in 80 Days, (published by Samuel French), which has been performed both in the UK and Germany. Uncle Ebenezer commissioned by BAC and The Wolf Boys commissioned by the Yvonne Arnaud Theatre. Since 2007 Annemarie has written several pieces for the Theatre Royal Bury St Edmunds inc: the score for Black Eyed Susan (which reopened the Theatre after its major refurbishment), plus the music/lyrics for the critically acclaimed pantomimes Cinderella and the Glass Slipper(2007) and Puss in Boots (2008). Jack and the Beanstalk (2009). This collaboration continued for The MTA with Aladdin (2013) and Beauty and the Beast (2014). Along with book writer Nick Stimson, Annemarie has written 5 musicals for The MTA, Dangerous Daughters(2010), Celebs Anon(2011) and The Sunshine Gang (2012), The Ballad of Kitty Jay (2013), Just the Ticket (2014). They are currently writing their 6th musical due to be performed in September 2015. In 2013 Annemarie wrote the songs for the UK tour of Boxed In for Shifting Sands Theatre Company.
As a lecturer Annemarie spent 18 years at the Hertfordshire Theatre School writing and running the Musical Theatre component of the course. She has also worked at Middlesex University where she ran the module Singer As Entertainer, as well as writing a Musical Theatre module for the then Performing Arts degree. In FE Annemarie worked at the Hertford Regional College helping them to make the transition from A Level to BTEC and contributing to the creation of the course. She works freelance as an audition consultant/workshop facilitator.
Annemarie regularly contributes as a journalist to several publications and websites on the subject of Musical Theatre, and writes a regular blog for The Public Reviews.
More recent credits inc: Musical Supervisor for Robin Hood (Cambridge Touring Theatre) & Around The World in 80 Days (Scoop Theatre, London), West End Backwards (Kings Head) MD’ing a workshop of Playback the musical Playback, and also recorded the demo album of the show. In Feb 2013 Annemarie was one of the guests in the Page to Stage Season at the Landor where her show An Evening with the Music & Lyrics of Annemarie Lewis Thomas featured a number of West End guests singing her material. Great Expectations had a revival in London in 2013 which Annemarie supervised.
In 2014 Annemarie filmed a TV pilot with Rain Media for Channel 4, and early plans for 2015 include an original musical with Nick Stimson, and yet another MTA pantomime in collaboration with Daniel O’Brien.
Follow Annemarie on Twitter to find out what the college is up to www.twitter.com/themtaonline
Carly Hainsby AISTD, Vice-Principal and Head of Dance
Carly trained at Bird College graduating with ISTD teaching qualification’s in Ballet, Modern, Tap, Anatomy and Physiology and a National Diploma in Musical Theatre. She also trained with the YMCA to obtain her Exercise to Music and Professional Studio Instructor qualifications.
As a performer most recently Carly had the privilege to work with Chet Walker on the workshop of the new musical “Feelin in the Mood”
She has worked extensively for “Chicago” and has performed in productions in Istanbul, Rio and Marrakech as well as in London and across the UK.
Theatre Credits include The Wizard of Oz , Chicago, Annie in which she played the role of Lily St Regis, “Crazy for you” in which she played the role of Patsy, “Arms and the Cow” for Opera North, “Calamity Jane”, “Anything Goes”, La Traviata for Grange Park Opera, Chess in which she played the role of The White Queen and The Wiz.
She was also a featured singer and dancer for the Jean Ann Ryan company for NCL and a member of the Moulin Rouge Company both in Paris and for their touring productions all over the world.
Her choreographic credits include, “The Music of Annemarie Lewis Thomas “ at The Landor Theatre, Pimpinone for the Buxton festival, “Carmen” for London Opera Vocal, pieces for “Broadway then and now” and “Burlesque and other distractions” for Bird College at The Orchard Theatre.
For the MTA Carly has choreographed “Just the Ticket”, “The Ballad of Kitty Jay”, “The Sunshine Gang“, “ Celebs Anon” and “Dangerous Daughters” as well as pieces for each production of “Something Old, Something New”
Carly has worked with BML Workshops London as a Choreographer and Assistant Choreographer for their projects in 2013.
Helen Siveter, Deputy Head of Dance
Training: Linda Butler School of Dance, Doreen Bird College of Performing Arts
Theatre Credits: Currently in Memphis (Shaftesbury)
Matilda (Cambridge Theatre), MAMMA MIA! (Novello, Prince of Wales Theatre, International Tour), We Will Rock You (Dominion Theatre), Fame (Aldwych Theatre), RENT (English Theatre Frankfurt), Fame, Saturday Night Fever, Oh! What a Night (UK Tour), The Wiz (Hackney Empire), Snow White and the Seven Dwarves (Bristol Hippodrome), Peter Pan (Reading Hexagon), Mother Goose (Oxford Playhouse), Dance Captain on P&O Aurora where she performed in Grease, Elvis the Musical, Half a Sixpence, Jolson and Charley’s Aunt
Concerts: Tommy in Concert (Prince Edward), Spirit of Fire (Royal Albert Hall), West End to Broadway (Palace Theatre), Singer for CABBAret! Dancer for The Rhythmics.
Television Credits: 2014 Laurence Olivier Awards (BBC), Sounds of the Musicals (Channel 4), Surprise Surprise (ITV), Horizon (BBC), This Morning (ITV), The Alan Titchmarsh Show (ITV), The Late, Late Show (RTE), The Buzz (Channel 4), The Fame School Graduates (Meridian)
Choreographic Credits: In Touch (Bridewell Theatre), RENT (Garrick)
Helen gained her teaching qualifications in Ballet, Tap and Modern dance and has been teaching for 15 years. She has taught at colleges including The MTA, Arts Ed, Bird College, AMTA, LSMT, Bodyworks and teaches workshops regularly for Pineapple Performing Arts and the Professionals and various schools and colleges
Nia Lynn, Vocal Consultant
Nia Lynn is the Principle Study Jazz Singing Specialist at the Royal Academy of Music, and a specialist teacher at Trinity-Laban College of Music & Dance, Royal Welsh College of Music and Drama, and work at Guildhall School of Music and Drama as a mentor for the creative learning department ont heir Leadership MMus course. She is the Head of Voice at The MTA, London (voted School of the Year 2011 by The Stage), where she heads the full-time programme specialising in voice and breath work as well as accents and dialects (including the International Phonetic Alphabet).
She is currently working as Voice Coach for the Royal Shakespeare Company on the Olivier award winning musical, ‘Matilda’. She also represented the RSC in a series of workshops at this year’s International drama students conference in Sheffield where she will be returning this summer to continue work with the Sheffield theatres summer programme.
She has also worked with Jean Abreu on his new solo piece called Blood, she has also been working the Battersea Arts Centre on their production ‘Brand New Ancients’ which will be performed at this years Latitude festival as well as on-going work on a new piece with Up and Coming young Director Jacqui Honess-Martin debuting in 2012.
Nia has a full and varied career as a performer, and was a nominee for Jazz Musician of the Year 2010.
Nia’s work focuses on body and breath, text and voice, interpretation and improvisation. Nia’s twelve years of teaching and practical experience make her a leading member of the voice community and a specialist within her field.
She is also studying to qualify as a British Wheel of Yoga instructor with TriYoga UK in 2014.
Nick DiCola, Head of Voice
Nick DiCola holds an MA with distinction in Voice Studies from Central School of Speech and Drama and a BA in both Linguistics and Russian Language from the University of Rochester. He teaches at City Literary Institute and heads the voice curriculum for Best School of Acting in St. Albans. Nick has taught voice as a visiting lecturer at Rose Bruford College, Read College of Dance and Theatre and the London School of Musical Theatre. In addition to working with private clients, Nick has provided voice and dialect support for productions such as Crazy For You with Upstairs at the Gatehouse, The Master’s Room for BAFTA and The Royal Academy of Art, The Great Gatsby at Wilton’s Music Hall, Made in Britain for Scratch Theatre Company, Winter’s Tale and King John at East 15 Acting School, and The National Theatre Connections festival with Watford Palace Theatre and The Oxford Playhouse. Nick is currently working as a voice coach on Billy Elliot
HUGH O’SHEA, Deputy Head of Voice
Hugh O’Shea is a freelance voice and dialect coach. His theatre credits include ‘In The Heights’ (Southwark Playhouse), ‘Yellow Face’ (Park Theatre) and ‘Over The Bridge’ (Finborough Theatre). Drama school credits include The Central School of Speech and Drama, LAMDA, ALRA, Rose Bruford and the Identity School of Acting. Hugh also works as the personal dialect/voice coach to actor/comedian, Rory Bremner.
Tilly Vosburgh, Head of Acting
Tilly trained at the Anna Scher Theatre, and has worked extensively in TV, film, radio and theatre.
Film credits include Meantime and Vera Drake with Mike Leigh, The Awakening, Erik The Viking and The Pirates of Penzance. TV credits include Call The Midwife, New Tricks, Holby City, 18 months in Eastenders, Murder Prevention, The Smoking Room, Waking The Dead, Tipping The Velvet, Holding On, Will You Love Me Tomorrow, Raspberry, and Teenage Health Freak.
On stage she has appeared in Drag On at the Royal Court, The Pitchfork Disney at the Bush, My Sister In This House at Hampstead, The Threepenny Opera at the Bloomsbury, and Raspberry at the Soho Poly and Edinburgh Festival.
She plays Ronnie Corbett’s daughter Ellie in When The Dog Dies on Radio 4, now on its third series, and has been in many radio plays, most recently Red Berries.
Alongside acting, Tilly has been teaching screen acting at LSMT since 2001, and at CPA since 2006. She is also a director at the RADA Contemporary Drama Summer school.
Tilly wrote a short film Domestic Flight, which played in festivals around the world in 2009. She also wrote for the radio 4 comedy series Late.
Giles Taylor, Deputy Head of Acting
Giles is an actor and singer with a wide range of experience spanning the last twenty five years. He has worked for the National Theatre, the Royal Shakespeare Company and the Open Air Theatre, Regent’s Park, as well as at numerous repertory theatres around the country, including Chichester Festival Theatre, Birmingham Rep, the West Yorkshire Playhouse, Salisbury Playhouse, the Watermill Theatre, Newbury, and with Sir Alan Ayckbourn at Scarborough.
His most recent theatre credits include Wolf Hall and Bring Up The Bodies for the RSC in Stratford, the West End and on Broadway, This House at the NT, and An Ideal Husband at Chichester. Other recent credits include After The Dance at the NT, The Secret Garden and The Wizard of Oz at both Birmingham Rep and the West Yorkshire Playhouse, Sam West’s acclaimed revival of Waste at the Almeida Theatre, The Way of the World and The Music Man at the Chichester Festival Theatre.
On television he has been seen most recently in The Musketeers, the acclaimed Stuart: a Life Backwards and Stephen Poliakoff’s Friends and Crocodiles for the BBC, and Mr Selfridge and Foyle’s War on ITV.
As a teacher Giles works as a Shakespeare Consultant both for drama schools and performing arts colleges, including Guildford School of Acting. He has also worked on individual productions – most recently for the West Yorkshire Playhouse’s production of As You Like It, the Manchester Royal Exchange’s production of The Comedy of Errors, Shakespeare’s Globe on their 2008 tour of Romeo and Juliet, and for the Open Air Theatre, Regent’s Park’s recent productions of Pericles, Much Ado About Nothing, The Tempest and Romeo and Juliet.
He also teaches regularly at The Actors’ Centre and on the Genesis Programme for emerging directors at the Young Vic. He is an Associate Artiste of the National Youth Theatre, and is regularly involved as an actor, director, writer and dramaturg with Scene and Heard, a mentoring project for inner-city kids, which has recently won a Queen’s Award.
Iain Vince-Gatt, Deputy Head of Musical Theatre
Iain trained at the Guildhall School of Music.
Musical Theatre credits include: Dirty Dancing the Musical, Tommy (Prince Edward), Curtains, Mack and Mabel, Parade, Patties Shop Diaries, Wolfboy, Smokey Joe’s Cafe, Into The Woods, Alvaro’s Balcony, I Love You Because (Best Musical off West End Award Winner 2008), Daddy Cool The Musical, Dancing In The Streets, Bat Boy The Musical, Chicago, Sweet Charity, Boys From Syracuse, Jesus Christ Superstar, City Of Angels, Little Shop Of Horrors, When Harry Met Barry, Tonight at 8.30, The Sound Of Music. La Cage Aux Folles, Elegies, Cabaret. Return To The Forbidden Planet, Spend Spend Spend, Kat And The Kings, They’re Playing Our Song, Footloose (European Premiers).
Iain has also been the Musical Supervisor for the Whatsonstage Awards for the past five years. He was also Musical Supervisor for “Daddy Cool the Musical” (World Tour), “Dancing in the Streets” (West End) and “Bat Boy” (Shaftesbury Theatre). In Europe he was Musical Supervisor for “Footloose” and the Pearl Anniversary tour of “The Rocky Horror Show” in Europe, UK and West End. He has also supervised workshops for the new musicals of “The Realness” (Only Connect), “Super Alice Smith” (Perfect Pitch), “The Diary of Ann Frank”, “A Girl Called Dusty” (David Ian Productions), “Robin and the Seven Hoods” and “When Harry Met Barry”.
Iain was Assistant Conductor for both the Scottish Opera and Ballet Companies. He has been the Musical Director for many popular performers including Alison Moyet, Mary Wilson, Rita Coolidge, Ben E. King, The Nolans, The Crystals, The Platters and The Drifters, and was recently sister Vocal Coach with The Saturdays. Television Credits include Late Edition (STV), Dana’s Festival (STV), Road to the Isles (STV), and Stars in Your Eyes (BBC SCOTLAND), ZDF, RTL Germany. He has also made many broadcasts for Radio Scotland and Radio Clyde, as well as in Europe. Producer and Arranger for Klub Records. Compositions include “Cloud”, “A Cantata for Xmas”, and “Decades”. Concerts include H.R.H. Prince Edward and Tribute to Sir Harry Lauder (Jimmy Logan).
Iain is also a well established West End vocal coach, and has lectured in various colleges throughout his career which include Napier University, Glasgow University, Conservatoire of Music in Berlin, Italia Conti, Notre Dame School Of Music, RSAMD and was involved in the development of the now established BA in Musical Theatre course at Trinity College, London. Recently, Iain joined the singing faculty at the MTA.
Iain was also nominated for a Ned Sherrin Award (Evening Standard) for his Musical Supervision on Parade along with Best Off Broadway award for his Orchestrations for Mack And Mabel at Southwark Playhouse.
Sarah-Jane McElhatton, P.A to the Principal & Company Stage Manager
Sarah-Jane graduated from the Royal Academy of Dramatic Arts in a Two Year Technical Theatre and Stage Management course in 2010 with a Distinction and has a 2:1 in BA Hons Drama from the University of Lincoln School of Performing Arts.
She grew up in Coventry and moved to London after finishing University in order to further her passion for technical theatre.
Her recent stage management credits include Grimm & Grimmer with Gonzo Moose Theatre Company as DSM, Jerwood Opera writing programme with Aldeburgh Music as ASM, Die Dreigroschenoper with the Royal Academy of Music as DSM, The Three Pintos with UCL as DSM, Luck Wright’s Cynical Ballads at the Leicester Square Theatre as SM, Spring Awakening with The English Theatre Frankfurt Company as ASM, and Jack & the Beanstalk at the Theatre Royal Bury St Edmunds as ASM. Sarah-Jane has also Stage Managed five Miniaturists shows which consisted of performing five new plays at the Arcola Theatre in one day.
She has also Stage Managed six of The MTA shows which include Celebs Anon, Something Old & Something New, Zombie Prom, Cinderella, Epson Downs and Dangerous Daughters.
Angie Peake RN (Adult) RN (Mental Health) DipHE, PGDip, MSc (distinction), Health & Welfare Consultant
Angie is a dual registered nurse with an extensive background working with young people. She is currently a lead nurse in Adolescent Acute Mental Health Services. She has a Masters Degree in Systemic Management, Coaching and Consultation. Angie has worked as a youth centric counsellor for several years and is an experienced Solution Focussed Therapist.
As the Consultant for The MTA Angie will be supporting staff by providing consultation and advice on all health and welfare issues. Students will also be able to access Angie’s services should the need arise.
The MTA prides itself on its pioneering approach to pastoral care. www.counsellingforperformers.co.uk
Wilma Kirsten, Consultant Nutritionist
Wilma Kirsten is a Harley Street nutrition expert who specialises in gut disorders and female hormonal health. Her honours degree in Nutritional Therapy, masters diploma in Neuro Linguistic Programming (NLP) and extensive clinical experience means that the students are privy to advice from a true expert in the field.
Wilma fundamentally believes that we are what we eat and that the power of good nutrition should not be underestimated. She advocates eating to sustain a good quality of life not merely ingesting food for the sake of it. Wilma understands that we are all unique individuals with different lifestyles and incorporates that knowledge in guiding her patients to experience the benefits of well chosen food options. She never loses sight of the goals that the patient sets at the onset of a consultation and offers support throughout this unique adventure which focuses on eating well for life.
As well as her busy clinical practice, Wilma is also an expert columnist on Nutrition for Positive Health Online Magazine and is completing her second science degree in Biological Psychology through the Open University.
For more information visit http://www.wilmakirsten.com/
Liz Bayley BA(Hons) Adip ST MFHT, Sports Therapist
Sports Therapy 4 Dancers was established by Liz, prior to that she was a professional dancer for over 10 years.
Originally from Surrey, she has performed in various countries around Europe including France (The Moulin Rouge, Paris), Italy and Portugal. She was the Dance Captain and Production Manager for FJM Productions in the USA in 2002. She now specialises in Latin, Ballroom and Argentine Tango and continues to teach and perform in London.
Having always been fascinated by anatomy and physiology, Liz decided to train in Sports Therapy 4 years ago, after sustaining many injuries herself and seeing so many of her co-performers go through the same thing. She treats sports, dance and occupational injuries, in addition to correcting postural imbalances and prescribing Pilates based exercise for rehabilitation and conditioning. She is a registered Kinesio Tape practitioner (the bright tape used in the Olympics). She was honoured to work with a Venezuelan Paralympic Cyclist for London 2012. With Liz’s help, he came 7th out of 76 athletes!
Liz considers herself very lucky to have a number of famous clients on her books and to work backstage on many West End shows including, Wicked, Shrek the Musical, Chicago, Matilda & Jersey Boys! She also travels to Paris every 6 weeks to treat the dancers in the Moulin Rouge, Lido and Crazy Horse. She is thrilled to be working with the talented and lovely students of the MTA. When not inflicting pain (ultimately to fix it) at The MTA, Liz works out of her own clinic at her house in Raynes Park, near Wimbledon and in Theatre Land – London.
For more information visit: www.sportstherapy4dancers.com
Colin Farquharson trained as an actor in South Africa. He appeared in various Shakespearean productions including, A Midsummer Night’s Dream (Lysander); Much Ado About Nothing (Benedick); and The Merchant Of Venice (Lorenzo) before making his musical theatre debut in Joseph And The Amazing Technicolor Dreamcoat (Simion)at the State Theatre in Pretoria. In the UK Colin has continued working on stage appearing as Murkor in Bink and the Riddle of the Sphinx (People’s Theatre Company) and Sobad in The Magic Toybox (Chaplin’s Theatre Company). Recently, Colin has focused more on film work and has appeared in several award winning short films including Tarrot (DEATH), Working Late (TIM) , Crass Transit (Businessman) and The Endless Game (Man in Black).
Colin worked in the theatre and film industry for 10 years before returning to study and completing his MA in Voice Studies at Central School of Speech and Drama. Colin now works as a freelance voice teacher focusing on the connection between the voice and body and has taught for many institutions including Central School of Speech and Drama, Guildford School of Acting, East 15, Gloucester University, HULT Business School, to name but a few. He has also run workshops internationally, in Austria, South Africa and Botswana.
Sarah is a London based voice, accent and singing coach. After training as an actress and singer in Australia, she graduated from the Royal Central School of Speech and Drama with a Masters in Voice Studies. During this time Sarah studied under prominent practitioners including Cicely Berry, Barbara Houseman, Kristen Linklater, Penny Dyer and Anne-Marie Speed. Sarah has taught at East 15, Court Theatre Training Company, NIDA, Actors Centre Australia and St Mary’s University. She has recently worked on productions ‘Handbagged’ (BCP), ‘Agamemnon’ (CTTC) and ‘Pearls Before Swine: An Evening with Orson Welles’ (NGP). Sarah continues to work in the industry as a performer and voiceover artist. Acting credits include ‘Spring Awakening’, ‘You’re A Good Man, Charlie Brown’, ‘The Hatpin’, ‘Ruby Moon’, ‘Crooked’ and ‘Grease’. She is a member of Equity, VASTA and VCN.
Alasdair has worked extensively both in Theatre and Television. Theatre credits include: Forbidden Broadway (Menier Chocolate Factory), Frankie Harris in the Ray Davies award winning musical COME DANCING (Theatre Royal Stratford East), SIDE BY SIDE BY SONDHEIM (The Venue), Boatman/Dennis in the multi award winning production of SUNDAY IN THE PARK WITH GEORGE (Chocolate Factory/Wyndhams), PUTTING IT TOGETHER, (Harrogate Theatre), Wild Bill Hickok in CALAMITY JANE (National Tour), Bill Cracker in Happy End (Thursty Dog), Sky Masterson in GUYS AND DOLLS (Royal Lyceum, Edinburgh), Pirate King, PIRATES OF PENZANCE (Bromley Open Air), Alec D’Urberville in TESS OF THE D’URBERVILLES (Savoy Theatre), the Original Beast in Disneys BEAUTY AND THE BEAST (Dominion Theatre), Raoul in THE PHANTOM OF THE OPERA (Her Majesties Theatre), Grantaire/Marius/Enjorlas in LES MISERABLES (Palace Theatre), RNT production of CAROUSEL (Shaftesbury Theatre), Cliff in SUNSET BOULEVARD (Adelphi Theatre), ASPECTS OF LOVE (National Tour), Fiddler on the Roof (West Yorkshire Playhouse), MY FAIR LADY (National Tour) BLITZ! (Tyne Theatre)
Television credits. Harry Shaw in TAGGART, Bruce Malcolm in THE BILL, Ewan Patterson in RIVER CITY, Dave Schoffield in CASUALTY, Mr. Connors in HOLBY CITY and P.C. Robertson in BIRDS OF A FEATHER.
Alasdair has worked extensively as a concert artist both on radio and internationally, working with some of the worlds leading Symphony Orchestra including Halle, Orchestra of Scottish Opera, Schenzen Symphony Orchestra and the BBC Concert Orchestra.
As a director Alasdair has previously directed Two and Shirley Valentine and most recently Ladies Day all at the Garrick Rep in Lichfield.
Matthew trained as an actor at LAMDA and later moved to directing – cutting his teeth as an assistant at the RSC. Over the years he’s worked with acclaimed Russian director Karma Ginkas, spent time with William Esper in New York, The Moscow Arts Theatre and performed alongside the actor Brian Cox in Orson Welles “Heart of Darkness” for Fiona Banner at the Royal Festival Hall. He was senior acting tutor at GSA and most recently the head of the postgraduate acting course at Mountview Academy of Theatre Arts; gaining recognition for developing innovative teaching and learning methods. He has worked as an acting teacher, director and coach for the last 17 years. In that time he’s helped numerous actors and performers and continues to be in demand as a freelance teacher and director both nationally and internationally.
Susan trained at the Guildford School of Acting and has recently graduated with an MA in Shakespeare and Contemporary Performance from Birkbeck University. Having enjoyed fifteen years working as an actress she now works as a freelance director and gives acting master classes in contemporary and classical text and Acting through Song.
Directorial credits include: John and Jen (Landor Theatre); a new book-musical for children Rumplestiltskin’s Daughter (Earls Court Festival); Footloose (Jasmine Teh Studio); Oliver! (Towngate Theatre); Back to the 80’s and The Music Man (Kenneth More Theatre); Monkey Town (Rosemary Branch Theatre).
For the London Studio Centre Seedtime Company she directed and designed Vinegar Tom; After Juliet; Stepping Out; Find Me; Fen; Top Girls; Maria Marten; Lady Audley’s Secret and Mixed Dobles (De Valois Studio). For the LSC Dance Overture she devised and directed Celebration Rain; Kitchen Crazy (Wimbledon Theatre); Beached (Shaw Theatre); City Segue (Peacock Theatre); and was Associate Director for Oh! What a Lovely War (Pleasance Theatre and Tour).
Susan is Head of Drama at the London School of Musical Theatre where she has established the drama curriculum over the last decade and annually directs two in-house productions in Contemporary and Classical text. She was Associate Director for LSMTs production of Jason and the Argonauts (Cochrane Theatre); Hope (Bridewell Theatre) and co-directed Roadways (LSMT). Earlier this year she directed My Favorite Year for LSMT at The Bridewell Theatre.
Please note that it is The MTA policy for all staff to be currently working in the industry, therefore teachers are likely to change subject to professional commitments.
Theatre and Choreography credits: Choreographer for Peter Pan, Grand canal Theatre, Dublin, and Southampton Mayflower, 2011. U.K Associate Choreographer for white Christmas, U.K tour 2011/2012. Associate Choreographer/Dance Captain for the workshop of Monkee Business, studio theatre, Dominion, 2011. U.K Associate choreographer for White Christmas, Sunderland Empire, 2010. Associate choreographer/Dance Captain for Aladdin, Southampton Mayflower, 2010. Associate Choreographer for Santa Claus and the return of Jack Frost, Southampton Mayflower, 2009. U.K Assistant Choreographer for White Christmas, Plymouth Theatre Royal, and Salford Lowry Theatre, 2009. Assistant Choreographer and Resident Choreographer for Chitty Chitty bang Bang 2009/2010 U.K tour. Associate choreographer/ Dance captain for Cinderella the musical Pantomime at Southampton Mayflower Theatre, 2008. Dance captain in Hello Dolly, U.K tour, 2008. Dance Captain/Swing in white Christmas Edinburgh playhouse and Cardiff Millennium Centre, 2007. Dance Captain in Annie, U.K tour, 2007. Dancer in Follies in Concert at the London Palladium, 2007. Dance Captain/ swing in white christmas Plymouth Theatre Royal, 2006. Santa Claus the Musical, 2005. Dance Captain onboard oriana P&O Cruise line, 2005. Dance ensemble in Tanz der vampire, Apollo theatre, stuttgart,2003, and various pantomimes.
Television credits: Ednaette in Dame Edna treatment, ITV. Gabriella in odeon High School Musical promotion, disney. Dancer in the Paul O’Grady show, Olga TV channel 4. Featured Dancer in It’s Now or Never, ITV. Actress in ‘Womes’s Talk’ documentary, Sky, UK Living.
Helen has taught and choreographed at Various Colleges and Schools.
Luke originally from Leicester, furthered his training at Laine Theatre Arts.
His most recent credit was to appear on the second series of BBC’s “So You Think You Can Dance” finishing runner up. Other Credits include (swing) Priscilla Queen Of The Desert, Palace Theatre. (Dance Captian swing) Grease, Picadilly Theatre. Macavity, Cats Uk tour,
Saturday Night Fever in Koln, Germany where he understudied the role’s of Bobby C and Chester. Copacabana, Danish tour, directed by Craig Revel Horward.
The Phantom Of The Opera (Slavemaster) Her Majesty’s Theatre and The “Producers” at the Theatre Royal Drury Lane…
Pantomimes include Peter Pan for E & B Productions Woking/Stoke/Milton Keynes and Cinderella at the Hackney Empire.
Film; The Phantom Of The Opera and Finding Neverland.
Luke has appeared in various music videos, trade and fashion shows.
Alec was born in Canterbury but grew up in Perth, Australia. Returning to the UK to further his training at Bird College.
Most recent credits include working with Carlos Acosta for the workshop of Guys and Dolls. Performing an immersive theatre experience for the launch of Johnnie Walker Blue Label, narrated by Jude Law. And he will be performing at the British Museum in a series of week long choreographic installations this November.
In his final year of college, Alec successfully auditioned for Saturday Night Fever at the London Palladium and then onto Notre Dame De Paris (swing and dance captain) at the Dominion Theatre, London. Last year he was part of the choreographic team in staging a completely Korean production of the show.
During Notre Dame he was asked to audition for Kylie Minogues Can’t Get You Out Of My Head video. This led to Alec working with Kylie as her dance partner for the entire Fever album promotion including the videos In Your Eyes, Love At First Sight (which he co-choreographed with Rafael Bonachella) and I Believe In You, culminating in the world tour of KYLIEFEVER2002. Alec worked with Kylie again in 2008 for her European promotion of the singles In My Arms and Wow at the BRIT awards.
Notable credits include:
Choreography: Mara Galeazzi Gala at Sadlers Wells (tap choreographer). Love At First Sight (Kylie Minogue) USA TV performances (Tonight Show with Jay Leno,MTV TRL,Carson Daly, Regis and Kelly), Mentos “UP2U” viral commercial, Cybertronica Tap for KYLIEFEVER2002, La Variete at The Hackney Empire (assistant choreographer), Let’s Dance for Comic Relief (assistant choreographer)
Theatre: Viva La Diva (UK arena tour),West Side Story (Bregenz Festival,Austria),Tap Dogs (Geneva/London), Guys and Dolls workshop (with Carlos Acosta), Vampirette (Manchester Opera House), Gadaffi (ENO), Carmen (Royal Albert Hall).
Film: Phantom Of The Opera, Beyond The Sea, Inkheart, Gullivers Travels.
Videos: Maybe and Downtown (Emma Bunton) You Give Me Something (Jamiroquai), Come Up and See Me (Erasure), Shine (Bootyluv) and Get The Party Started (Shirley Bassey).
Television/Commercial: London 2012 Olympics Closing Ceremony,Take That (Brit Awards 2011), Lily Allen (Brit Awards 2010), Scissor Sisters (Brit Awards 2007), Katherine Jenkins (Ryder Cup Concert 2010) Tom Jones (Brit Awards), Jamelia (MOBO Awards 2004) An Audience With Kylie, Girls Aloud (Royal Variety), MTV Awards (Kylie Minogue 2001).
Philip gained a scholarship to Performers College in Essex to study dance and musical theatre under the direction of Brian Rogers. He graduated in 2007 with a National Diploma in Professional Dance and Musical Theatre. During his studies he also gained his I.S.T.D. teaching qualifications in modern and tap and is an Approved Teacher with the Council for Dance Education and Training as well as Certificate in Teaching in the Lifelong Sector (PTLLS).
Choreography credits: ‘Cinderella’ at the Bristol Hippodrome and Aylesbury Waterside Theatre. ‘Wish Upon a Prince’ UK Premier, London. ‘Ivor Novello and the Great British Musical’ St James’s theatre, London. ‘One Twenty One Guns’ Bridewell Theatre: London. ‘Sweet Charity’ Sadler’s Wells: London. Choreographer for the UK premier of ‘My Son Pinocchio, Geppetto’s Musical Tale’ music written by Stephen Scwartz. Choreographer ‘An Evening with David Hasselhoff’ indigO2. Choreographer ‘Aladdin’ Milton Keynes Theatre and Bristol Hippodrome for First Family Entertainment. Choreographer Wedding of Eamon Holmes and Ruth Langsford for Hello! Magazine. Choreographer ‘Celtic Journey’, New York City dance section, MAC make-up Rocky Horror Launch. CLOSER TO HEAVEN- The Pet Shop Boys Musical, London. Ahmal & The Night Visitiors Opera, London. Choreographer for Libèro Football Magazine. Cinderella at Aylesbury Waterside Theatre.
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Film and Television credits: Dancer in ‘Walking on Sunshine’. Lead male dancer ‘The song of life’ for Leftfield. Featured artist for X-Factor’s Aiden Grimshaw’s debut music video ‘All This Love’. Butler for the National Lottery advert, Dancer in ‘Gulliver’s Travels’, click track dancer for John Turturo in ‘Nutcracker – The Untold Story’, dance captain MTV ‘Living On The Edge’, ‘Top of the Pops’ as a backing dancer for Inaya Day and GMTV ‘100th Anniversary for the British Heart Foundation’, featured dancer for Bollywood film ‘Veer’
Theatre credits: Cast/resident choreographer for ‘Hairspray’ and ‘Fame The Musical’ at the Gordon Craig Theatre, Stevenage. ‘42nd Street’ Gala at the London Palladium. Dr Coppelius: ‘Coppelia’, Widow Simone ‘La Fille Mal Gardee’, St Margarets Festival Ballet, ‘Aladdin’ at the Liverpool Empire, New Wimbledon Theatre, New Victoria Theatre, Woking and Milton Keynes Theatre, ‘Celtic Journey Dance Sensation’ at The Churchill Theatre, Bromley, Gordon Craig Theatre, Stevenage and Marlowe Theatre, Canterbury, ‘Twelve Days of Christmas’ at the London Cruise Terminal, ‘Jack and the Beanstalk’ playing the role of narrator/dance captain and ‘Live at the Bloomsbury’, Bloomsbury Theatre, London. Philip has also appeared as a dancer at the ‘Daisy Ball’ and the ‘Candy Ball’ at the Grosvenor House Hotel, London.
Judge: Janet Cram Awards Modern Dance Final 2012: Shaw Theatre: London
Philip also teaches dance at a number of musical theatre performing arts colleges across London. He also guest teaches numerous guest celebrities from the show ‘Strictly Come Dancing’ and ‘Dancing with The Stars’
For more information see: http://www.philip-joel.me.uk
Kevin is Founder and Creative Director of wowtheguests.com, a company offering choreography services for wedding first dances and other events using west end performers to teach bespoke dance lessons tailored to a clients personal needs.
Kevin trained at the London studio centre. As well as running his own business he is currently also working for ‘Ministry of Fun’ performing in and helping organise Flash Mob events across the country.
Swing and understudy Eddie in Mamma Mia (The Prince of Wales and The Novello) West End live 2010, The Olivier Awards 2009 and Children in Need 2008 , ensemble in MAMMA MIA! (International Tour), swing and understudy Mary Sunshine in Chicago (UK tour), A Tribute to Dirty Dancing (Kenwood House and Marble Hill), ensemble and appearing as Shane and understudying Dallas, Wolf and Larry in Sex, Chips and Rock and Roll , swing in Kiss Me, Kate (UK tour), Bailiff, Court Clerk and Mary Sunshine in Chicago (European tour), Bishop Hogan in Fat Men in Skirts (Cockpit), Sailors Quartet in Anything Goes (Landor) and understudy Jack in Jack and the Beanstalk (ExtravaganzaProductions).
Other work includes: featured dancer in It’s Now or Never (Thames TV), Bill Symons in The Bill – Tour of Duty (Thames TV) and dancer in the video for Paul McCartney’s ‘Brown Eyed Handsome Man’.
Matthew trained at the Doreen Bird College of Performing Arts.
Theatre credits include; Assistant Dance Captain in Oliver! (Theatre Royal Drury Lane) Spirit of Fosse in Chicago (Cambridge Theatre and UK tour), Pep in The Boy Friend (Regent’s Park Open Air), We Will Rock You ( Dominion Theatre), West Side Story (Bregenz Festival), understudy Bobby C in Saturday Night Fever (UK tour and Koln, Germany), Chitty Chitty Bang Bang (London Palladium), understudy Doddy and Eugene in Grease (Victoria Palace and Scandinavian arena tour), Dirk and understudying Sal and Stretch in Oh! What a Night (Manchester Palace and UK tour), understudying Nick, Shlomo and Goody in Fame (UK tour) and 42nd Street (UK tour), Ensemble in Shoes (Peacock Theatre)
Theatre credits include – Chicago (Garrick Theatre) understudy Mamma Morton. Hairspray (UK Tour) Dance captain/swing and understudy Velma and FAF. Never Forget (UK Tour) Resident Director and understudy Babs. Mamma Mia (International Tour) Dance Captain/Swing. Chicago (UK Tour) Dance Captain/Swing and understudy Roxie and Mamma Morton. Footloose (Novello Theatre) Dance Captain/Swing and understudy Ariel, Rusty, Wendy Jo and Urleen. Oh What a Night (UK Tour) Resident Director and played the Role of Candy. Our House (Cambridge Theatre) Dance Captain/Swing. Fame (Victoria Palace) Swing and understudy Carmen, Mabel and Miss Bell.
Choreography Credits – Chicago, Assistant Choreographer to Gary Christ in Rehearsals for the Garrick Theatre. Michael Ball Concert, Choreographer/Stage Direction, Choreographed four numbers and staged the Concert. Mamma Mia, Assistant Choreographer International Tour 2010 Cast Change. Oh What a Night, Assistant Choreographer to Kim Gavin. S Club Juniors, Assistant Choreographer to Gary Lloyd on numerous S Club TV appearances. BBC Panto, Assistant Choreographer to Gary Lloyd.
Television Credits include – Royal Variety Show, CDUK, This Morning, Top of the Pops, Talking Telephone Numbers and Stars in their eyes.
Following a successful performing career, leading to assisting some of the industry’s finest, Richard is now defining himself as a versatile and accomplished choreographer. Previous choreographic credits include “Pal Joey” & “Grease” – Aoyama Theatre, Tokyo and subsequent transfers to Osaka. “From the Hart”, New End Theatre, London. “Magic of the Musicals” – UK tour, “Stars of the Night Gala” – Haymarket Theatre, London.Directing and choreographing ‘Annie” & “Footloose” –Orchard Theatre, Dartford (HQ Venue’s) TV and commercial credits include: Bruno Mars-“Unorthodox Jukebox” campaign. “Ambitions” music video for Donkey Boy, both for Warner Bros Records. “School for Stars” – CBBC. “Children in Need” – BBC
Richard is currently a core creative at both Qdos Entertainment and P&O cruises. Previous works include: Production shows across the entire fleet including the super liners, Azura/Ventura. “Dick Whittington”- Civic Theatre, Chelmsford & Theatre Royal, Plymouth. “Sleeping Beauty” and “Aladdin”, Wyvern Theatre, Swindon, “Jack & the Beanstalk”, Royal & Derngate, Northampton, “Sleeping Beauty”, Beck Theatre, Hayes, “Aladdin” – Grand Theatre Swansea,
Richard regularly lectures, directs and choreographs for leading drama college’s across the UK, with previous credits including, directing & choreographing: “Grease”, “A Chorus Line”, “West Side Story”, “Pyjama Game”, “Nunsense”,”Stepping Out”, “Bad Girls-The Musical” Seedtime Showcase-LSC.
As a performer, Richard has been a regular in London’s West End, toured internationally and made TV appearances with shows such as; We Will Rock You, Grease, Cats, Movin’ Out, Peggy Sue Got Married, Me & My Girl, West Side Story, Oh! What a Night, Fame, Night of a 1000 voices, Billy Elliot, Chess, Magic of the Musicals.
Charlie comes from County Durham where she trained at Marron Theatre Arts before attending the Royal Ballet School where she was Head Girl and received the April Olrich Award for Most Dynamic Dancer. She completed her dance training at London Studio Centre and is now taking her Level 6 Teaching Qualification with BBO. Through her teaching and professional experience she has been invited to teach at Scholarship events around the country and adjudicate various competitions including Loughborough University Annual Dance Competition.
Credits Include: Swing, Cover and Played ‘Dead Mam’ in Billy Elliot (Palace Victoria, West End) Charity/Cover Reno Sweeney in Anything Goes (Kilworth House). Ensemble, Cover and played Lina Lamont in Singin’ in the Rain (Palace Theatre, West End). Swing, Cover and Played Anita in West Side Story UK and World 50th Anniversary Tours, Alternate Narrator in Joseph (UK Tour)
TV- Saturday Night Takeaway, Surprise Surprise! This Morning, Royal Variety Performance 2011, Bo-Salecta.
FILM - Billy Elliot LIVE (Cinema and DVD Release)
Recording – Singin’ in the Rain (London Cast Recording)
Tom Jackson Greaves
Born in Cornwall, Tom trained at Laban and London Contemporary Dance School.
Performance credits: Extensive touring for ‘Matthew Bourne’s New Adventures’ including Cinderella, Nutcracker!, the 25th anniversary tour of Early Adventures and most recently the principal role of Carabosse/Caradoc in the worldwide tour of Sleeping Beauty.
Also; Kes (Sheffield Crucible), 44 Stories (The Arches), Dirty Dancing (Future Cinema), The Venus Flower (C Scape Dance Company), And Then You Were Gone (Cameron McMillan Dance) and Slaughter (The Mconie Company for The Place Prize) amongst others.
Choreographic credits: Harvest Fire (The Lemon Tree Aberdeen), Buds (Arts Educational Schools), Cherry Jubilee (Dance Academy Russia), Shadowthief (Barnsley Civic), Kerry Ellis at the Palladium (London Palladium), LIFT The Musical (Soho Theatre), The Seventh Muse (Barbican Plymouth) and music videos for Boy George and Clare Maguire.
Tom also creates his own dance-theatre work: Seven Deadly Sins (UK Tour) and Vanity Fowl (Sadlers Wells).
Tom was a winner of the New Adventures Choreographic Award 2012, was aYoung Spark for Dance Umbrella 2011 and has taught for New Adventures and at many dance/musical theatre colleges.
Training: London Studio Centre
Theatre: Toad in Wind in the Willows (Duchess Theatre/Royal Opera House); Sirius in The Star Child (Menier Chocolate Factory); West Side Story (Sage, Gateshead); Soho Cinders (Queen’s Theatre, London); West Side Story (UK Tour), We Will Rock You, Vienna & Zurich; On The Town (London Coliseum); Death In Venice (London Coliseum); A Journey of Jazz (Sadler’s Wells, London); Oliver! (London Palladium) and various pantomimes nationwide.
Film/TV: Alice Through the Looking Glass (2015 release); London Road (2015 release); Avengers: Age of Ultron (2015 release); Muppets Most Wanted; Rush; Great Expectations; Hugo; Bo Selecta; Teachers and various commercials and music videos.
Choreography: Anything Goes (Wyvern Theatre, Swindon); Wizard of Oz (Wyvern Theatre, Swindon); Fame (Orchard Theatre, Dartford); Assistant Choreographer on LazyTown Live! The Pirate Adventure (UK Tour); Assistant Choreographer on various pantomimes including Dick Whittington (Milton Keynes Theatre) and Qdos’ Cinderella (Theatre Royal, Plymouth). Cris has also choreographed numbers for London Studio Centre and the Urdang Academy shows.
As well as performing, Cris is also currently teaching jazz and tap classes for London Studio Centre, CPA, Mountview, The MTA, Central School of Speech & Drama, the British Ballet Organisation and guest teaches at various other venues.
Training: Elmhurst Performing Arts School and London Studio Centre.
West End: Original cast of Dirty Rotten Scoundrels (Savoy Theatre,) Constance Sack in Rock of Ages (Shaftesbury/ Garrick Theatre,) understudy to Marty & Cha Cha in Grease (Piccadilly Theatre), Original cast of Spamalot (Palace Theatre).
Other Theatre: Swing and understudy Ali in Mamma Mia (International tour.)
Other credits include: London Olympics 2012 Opening Ceremony (directed by Danny Boyle) Classical Spectacular (Royal Albert Hall).
TV Credits Include: The One Show, This Morning, The royal variety show, The alan titchmarsh show and the Mobo Awards.
Matt started his dance career after graduating from Masters performing arts college in 2009. He went straight into the professional industry to work with some of the biggest UK artists and artists from across the globe. Matt’s work stems from TV, Fashion and theatre which has helped him gain a vast amount of knowledge within dance, working and teaching alike.
Credits include BBC, ITV, SKY, RHIANNA, LITTLE MIX, THE SATURDAYS, THE WANTED, TAKE THAT, PIXIE LOTT, CHERYL COLE and many more. Matt has taught at some of the leading colleges across the country and is really pleased to be teaching as part of the MTA faculty!
Rachael trained at Northern Ballet School and was a Royal Ballet senior Associate.
Her theatre credits include: Graziella in ‘West Side Story’ (National tour); first understudy Meg Giry in ‘The Phantom of the Opera – 25th Anniversary tour’ (National tour); ensemble and first understudy Wendy in ‘Peter Pan’ (Mayflower theatre); ‘We Will Rock You’ (Antwerp Belgium); ensemble and understudied and played Wendy in ‘Peter Pan’ (Grand Canal theatre Dublin); first understudy Cinderella in‘Cinderella’ (Orchard theatre); ensemble and 1st understudy Iris in ‘Fame’ (National tour); ‘We Will Rock You’ (Dominion theatre); swing in the original London cast of ‘Movin’ Out’ (Victoria Apollo); alternate Ice Princess in ‘The Snowman’ (Peacock theatre); swing and first understudy Zsa Zsa in ‘Love Shack’ (National tour); Dance Captain and swing in ‘Grease’ (Victoria Palace, Japan and National tour); ‘Cinderella’ (New Victoria Woking), Rumpleteaser, Demeter, Sillabub and Tantomile in ‘Cats’ (Stuttgart Germany); Meg Giry in ‘The Phantom of the Opera’ (Hamburg Germany) and the Spirit in ‘The Spirit of the Dance’ (US tour).
Film credits include: ‘The Phantom of the Opera’ directed by Joel Schumacher and ‘Finding Neverland’ directed by Marc Forster.
Radio Credits include: BBC radio production of Smith of Wooten Major.
Rachael has also appeared on the Al Murray Show, took part in the 2008 Olympic handover ceremony and recently guested for Rock of Ages for their performance at West End Live.
Teaching: Rachael graduated from the Royal Academy of Dance gaining a Distinction for The Professional Dancers Teaching Diploma and has taught at The Urdang Academy, Bodyworks, Stagecoach, Pineapple School of Performing Arts, The Ballet School and many other schools.
Leanne is a professional commercial dancer who graduated from Performers College in July 2007.
Leanne has worked with many artists including Katy Perry, Robbie Williams, Rizzle Kicks, Kylie Minogue, Paul McCartney, Girls Aloud, JLS, One Direction, Olly Murs, Scissor Sisters, Boyzone, Lilly Allen, Professor Green, Tinie Tempah, Leona Lewis, Kesha, The Wanted, The Saturdays, Blue, Wiley, 5ive, Liberty X, 911, B*Witched, Honeyz, Atomic Kitten, Sophie Ellis-Bexter, Goldfrapp, Hurts, Rebecca Ferguson and Alesha Dixon.
Some of her dancing credits include XFACTOR Tour 2014, 2 Big Reunion Tours, Girls Aloud ‘10’ Tour, Boyzone ‘Brother tour’, Your Face Sounds Familiar, Britain’s Got Talent, Dancing On Ice, National Television Awards, Strictly Come Dancing, Royal Variety Show, XFactor, Olympics and Paralympics closing ceremonies, Queens Jubilee Concert, Brit Awards, Children in Need, So You Think You Can Dance, Eurovision, Clothes Show Live, Glastonbury, Summertime Ball, Radio 1 Big Weekend, Help for Heroes Concert, fashions shows for Agent Provocateur, Boux Avenue, Ann Summers, Hed Kandi, UGG, Specsavers, worked with Christian Louboutin himself and appeared in Ministry of Sounds ‘Move it, Lose it’ workout DVD.
Chris trained at London Studio Centre after performing with both Images Of Dance Ballet company and the Jazz Dance Company.
Theatre performance credits;
West End Heroes 2014 & 2013 at the Dominion Theatre with the Matt Flint dance company, Dance captain on Jack & The Beanstalk (Camberley Theatre), 42nd Street Gala (London Palladium), Six Nights In Naples (Workshop), Beauty & the Beast (Hexagon Theatre, Reading), Teddy Time (National Tour), Aladdin (Hexagon Theatre, Reading), The Adventures Of Mr Toad (Gordon Craig Theatre, Stevenage), Night of 1000 Voices (Royal Albert Hall), Magic of Christmas (Birmingham NEC arena), Follies (Pleasance Theatre, London) and Cinderella (Milton Keynes Theatre).
Chris originated the role of Tony Tap in kids hit tv show GIGGLEBIZ for CBeeBies.
Singin’ in the Rain (Upstairs at the Gatehouse), The Apple Tree (Ye Olde Rose & Crowne) – Best musical Offie nomination, A Catered Affair (UK premier – London Theatre Workshop), Just Another Love Story (London Theatre Workshop & Brighton Fringe Festival) – Brighton Fringe Artistic Excellence Award, Little Me (Ye Olde Rose & Crowne), Marty Macdonalds Farm (National Tour & Leicester Square Theatre) and Assassins (Pleasance Theatre, London)
Assistant choreographer Credits;
Series 3 & 4 of ZINGZILLAS & GIGGLEBIZ (CBeeBies), Beauty & The Beast (Hexagon Theatre, Reading).
Chris is delighted to be joining the dance faculty at the MTA.
Born and trained in Australia, Adam moved to London after graduating from the Australian Ballet School, and joined London City Ballet. Dancing in the corps de ballet and performing soloist and character principal roles, he remained in the company until it’s untimely demise in 1996.
Turning his attention to working as a freelance dancer, and in between stints with English National Ballet, Adam had success on the commercial dance circuit appearing in trade shows and promotional videos, as a dancer on Kylie Minogue’s Fever and Showgirl world tours, on television and in feature films including Human Traffic, Phantom of The Opera, and Pride and Prejudice, and worked closely with the director on choreographed scenes in Stanley Kubrick’s Eyes Wide Shut. He also appeared in numerous productions with English National Opera, the Royal Opera House, Scottish Opera, Glyndebourne Festival Opera and Raymond Gubbay’s popular “in-the-round” operas at the Royal Albert Hall.
In 2007, Adam gained the Royal Academy of Dance Professional Dancers’ Teaching Diploma and is currently a member of the teaching staff at Ballet Black and West London School Of Dance. He is a guest teacher for both Rambert Dance Company and School, and for Michael Clark Company and has taught advanced/professional level open ballet classes at Danceworks since 2008, and Beginners’ and Elementary classes at Pineapple Dance Studios since 2010. Adam also teaches his unique “Tumbling Skills For Dancers” open classes at Pineapple and Studio 68.
Musical Theatre Staff
Please note that it is The MTA policy for all staff to be currently working in the industry, therefore teachers are likely to change subject to professional commitments.
Matt Smith is currently MD on the new production of Taboo, which he also helped develop and put together. Previously Matt was MD of We Will Rock You in Stuttgart and Berlin; and Never Forget at the Savoy theatre and touring. He has also MD’d Footloose, The Rocky Horror Show, Dancing in the Streets, This is Elvis, Vampirette, Bohemian Rhapsody and works as a vocal arranger and vocal coach.
Zara trained at the University of Glamorgan, Royal Welsh College of Music & Drama and London College of Music.
When not musically directing or composing for professional theatre, Zara works extensively in music and theatre education and specialises in major large-scale devising and performance projects. She has also been repeatedly employed by, amongst others, Royal & Derngate, Northampton; Everyman Theatre, Cheltenham; Royal Central School of Speech & Drama; Mountview Academy of Theatre Arts; Trinity College of Music; Oldham Theatre Workshop, English Pocket Opera Company, National Youth Music Theatre and the International Schools Theatre Association. She also specialises in bespoke devised music theatre projects for young people.
Theatre credits include (MD/Composer, various):
The Muddy Choir (Theatre Centre); Beggar’s Opera; Babes In Arms (Mountview); The Tempest (Watford Palace); Alice in Wonderland, The Lion, The Witch and The Wardrobe (Royal & Derngate); Aladdin, Dick Whittington, Cinderella, Telling Tales, Jack and the Beanstalk, The Scarlet Pimpernel, Much Ado About Nothing, Sleeping Beauty (Everyman Theatre, Cheltenham); The Good Egg; Oh What A Lovely War; Common Chorus (Royal Central School of Speech & Drama); Arabian Nights; Peter Pan, Alice, The Doctor’s Daughter, The Greek, The Life of Pi, The Grimms’s Tales; An Artist and a Mariner; A Time Machine (Royal Central School of Speech & Drama at the Minack); The Love For Three Oranges, The Magic Flute, I Pagliacci (English Pocket Opera Company); The Doctor’s Daughter (at the Medway Festival, Kent); Various Cures For Loneliness (Trinity College of Music); Elmer (Birmingham Stage Company Tour); The Good Hope (ALRA); Yo-Yo (My Life is Like a Yo-Yo) (Contemporary Clowning Projects, Regional Tour); Little Shop of Horrors (Torch Theatre); The Song of Ruth, Postcards from Andalucia and Did You Ever Take Your Wife to Camberwell (Refraction Theatre Company at the BAC); Vinegar Tom (Point Theatre Cardiff); The Bacchae (Papaver Youth Theatre).
Alison Arnopp has studied both classical singing (Royal College of Music) and musical theatre (Royal Academy of Music) at post graduate level in London, after initially training and working as a stage and television actress in her home city of Cork, Ireland.
Credits include: T’ain’t a Bird, workshop, Dir. Tamara Harvey; Tannhauser, Dir. Tim Albery, Royal Opera House; Constance & Sinestra and the Cabinet of Screams, Action to the Word; Babe, The Pajama Game, RAM; Titanic, Whatsonstage Awards 2014; The Magic Flute, London Youth Opera; Thursford Christmas Spectacular; The Fingask Follies; Celtic Woman: Songs from the Heart US Tour; Tocatta: Musical Express Indian and Sri Lankan tour. She has also provided session vocals for folk, pop and funk bands as well as animations and short films. She played the lead in an episode of Obsession: Dark Desires for Discovery ID last year.
In April 2013 she was awarded third prize in the international Lotte Lenya Singing Competition, the criteria of which spans opera and classic and contemporary American musical theatre repertoire. This year Alison was awarded a 2014 Professional Development Grant from the Kurt Weill Foundation.
Gary Albert Hughes
Gary trained in singing and music at The Purcell School of Music, Guildhall School of Music and Drama and the Royal Academy of Music. He qualified with a diploma in Vocal Coaching as a Licentiate of the Royal Academy of Music.
Gary has enjoyed working with students at The American Musical Theatre Academy (AMTA) and has also coached at Urdang Acadmy of Performing Arts and City Academy.
In 2012 Gary was the song writer and singing presenter for E4’s hit reality dating show ‘Playing It Straight’ working alongside Alan Carr and Jameela Jamil. He has enjoyed performances as a guest soloist for Kerry Ellis and Brian May’s ‘Anthems’ concert (Royal Albert Hall), singing at ‘Stephen Sondheim’s 80th Birthday Prom’ (Royal Albert Hall) and his Royal Doctorate (Royal Academy of Music). Gary also performed alongside a host of West End and Broadway stars at ‘The Calendar Girls Celebration’ (Royal Albert Hall) and ‘The Alan J Lerner Memorial’ (Actors Church, Covent Garden). Gary’s other credits include Paul in ‘Company’, Theodore Whitman in ‘Follies’, Bobby in the touring Opera ‘My Mother Told Me Not To Stare’ among many others.
As a composer Gary had his musical ‘Reception’ as one of 6 finalists in ‘The Leicester Square New Musicals Project’, composed the score and 40 comedy update songs for E4’s hit reality dating show ‘Playing It Straight’, released Christmas single ‘Your Presence’ which was recorded by West End and TV star Shona Lindsay and featured on BBC Radio’s Christmas Day Special. He has written music for film and TV and is currently writing a new collection of cabaret songs with his writing partner Tom Read Wilson.
Specialist Skills Practitioners
Please note that it is The MTA policy for all staff to be currently working in the industry, therefore teachers are likely to change subject to professional commitments.
Geoff Beale, Commedia Del Arte
Geoff Beale co-founded Ophaboom Theatre, a commedia dell’arte company which has performed all over the UK and Europe for 17 years including five times at the Venice Carnival. He has also taught Commedia at the National and E15 and is a regular performer for The Secret Cinema, Gideon Reeling and a new young company A Commedia of Errors.
Haruka Kuroda, Actor/ Stage Combat Instructor
Haruka Kuroda trained at the Guildford School of Acting. Her theatre credits include The Paper Washi Wish (Manchester Exchange studio); The Nightingale (Polka Theatre and tour), Ali Baba and Forty Thieves (Illyria), Around the World in 80 Days (Liverpool Playhouse and tour), for TV: Chaos Laboratories, Ideal (in which she plays one of the regular characters and has been in all 6 series), Hiroshima, Broken News, Grass, Jonathan Creek, (all for the BBC) and The Bill (ITV); for film: I Like London In the Rain (NFTS), Foster, Swinging with the Finckels (both with Kintop Pictures), Iris (Fox), One Minute past Midnight which won the Best Short Film at Chicago Film Festival in 2005 and for Radio: After the Quake, A Pale View of Hill (Both for BBC Radio 4). Haruka is much sought after voice over artist and she has been the voice of Noodle, the international pop band Gorillaz since 2000. She is also a qualified Stage Combat Instructor (British Academy of Dramatic Combat).
Matt Addis, Recorded Voice
Matt read English & French at the University of Manchester and trained at Mountview. He made his West-End debut in Boeing Boeing in 2007 and has since worked extensively on stage and screen across the globe. Matt joined the BBC Radio Drama Company in 2009 and has been heard in hundreds of radio dramas, comedies and documentaries. He is a popular audiobook reader both here in the UK and in the US. His ADR work includes major HBO series and Hollywood blockbusters. TV and Radio commercial voiceovers include clients such as Vauxhall, Ford, Skoda, Sony, Domino’s Pizza, PayPal, the Stereophonics, Crowded House and the Samaritans. He has voiced many major computer games, including CodeMasters F1 Race Stars. His live voice work includes the Global Fashion Awards, United Nations events at Windsor Castle, and many prestigious poetry readings. Matt coaches actors and presenters from both sides of the Atlantic in finding and using their voice in recorded media. He has taught a week-long Masterclass in Recorded Voice at The MTA since 2011 which gives students an unparalleled introduction into the world of voice work, through practical workshops using industry standard practices and equipment.
Mervyn Millar, Puppetry
Mervyn Millar is a theatre director and puppetry specialist and the Director of Significant Object (www.significantobject.com).
As puppetry designer & director his work includes: James II (NTS/NT), Die Brüder Löwenherz (Schauspielhaus Zürich), Siegfried and Die Walküre (Opera National du Rhin), Great Expectations and The Comedy of Errors (RSC), The Odyssey (Lyric Hammersmith, Bristol Old Vic) Get Santa! (Royal Court), The Secret Garden (WYP, Birmingham Rep), The Thief of Baghdad (ROH), The Magic Carpet (Lyric Hammersmith), Unfolding Andersen (theatre-rites / British Library), James and the Giant Peach (Bolton Octagon, MEN award winner) and work for the Young Vic and the National Theatre Studio. He has a longstanding association with Handspring Puppet Company and was part of the creative team on War Horse from the first workshops, appearing in the first two casts at the NT and subsequently directing the puppetry in London, New York, Toronto and Berlin. Other work for Handspring includes Stiller (with Bayerisches Staatsschauspiel, Co-director), Crow (Festival 2012/GDIF, Director), Jubilee Salute (with National Theatre, Co-director), Tall Horse (Asst Director) and Or You Could Kiss Me (with National Theatre, performer). He was Artistic Director of Handspring UK. He was Director at the Finborough Theatre for the Steam Industry between 1998 and 2000 and has directed at theatres including the National Theatre (Cottesloe), BAC, Theatre Royal Plymouth, NVT (Norway) & international touring with his company wireframe. His collaboration with Kazuko Hohki and Andy Cox, Evidence for the Existence of Borrowers, won a Total Theatre Award and a Herald Angel Award. He is the author of The Horse’s Mouth, about the development process of War Horse, and The Journey of The Tall Horse, documenting a collaboration between two African puppet companies. Both are published by Oberon Books. In 2010 he became the first puppetry specialist to win an Arts Foundation Fellowship.
George Stiles (Music) and Anthony Drewe (Lyrics), Creative Patrons
During this time their musicals include the internationally acclaimed hit Honk! which won the Laurence Olivier Award for Best New Musical in 2000, and has since been seen by over 6 million people around the world; Mary Poppins, currently playing on Broadway and touring the UK, for which they wrote the new songs; Just So, which won the first ever Vivian Ellis Prize, and has subsequently been produced by Cameron Mackintosh; Tutankhamun and Peter Pan, winner of two major awards at the 1996 International Musical Of The Year, which began it’s life in the UK in 2001 as a concert at the Royal Festival Hall for the BBC, starring John Thaw and Sheila Hancock. They have also written numerous cabaret songs which have been performed in TV, radio and theatre shows.
Stiles and Drewe are currently working on three new shows; A Private Function, based on the film by Alan Bennett, Soapdish and Soho Cinders. An all-star concert celebrating their 25 years together was staged earlier this year at Her Majesty’s Theatre, London, entitled A Spoonful Of Stiles And Drewe, the CD of which has just been released.
With lyricist Paul Leigh, George has also written the scores for Moll Flanders, Tom Jones and The Three Musketeers. He composed the music for Sam Mendes’ productions of Twelfth Night, Uncle Vanya and Habeas Corpus at The Donmar Warehouse, and was Dame Edna Everage’s musical director for a year.
With composer Tony Hatch, Anthony wrote lyrics for The Card and, with Singaporean composer Dick Lee, the lyrics for A Twist of Fate. His work as a director includes Snoopy (Watermill Theatre), Honk! (South Africa, Chicago, Tokyo and Singapore), Just So (North Shore Music Theatre, Massachussetts, and Chichester Festival Theatre) and The Thing About Men (King’s Head). As a performer recent work includes Rogues to Riches (Watermill Theatre), The Three Musketeers (Danish tour) and A Twist of Fate (Singapore).
Stiles and Drewe are founding Board members of Mercury Musical Developments, a charitable organisation that promotes new musical theatre writing in the UK.
Diane Langton, Performer Patron
Diane trained at the Corona Academy and started her professional career as a dancer, touring with ballet companies throughout Europe, followed by appearances on That Was The Week That Was and the London Palladium.
In 1968 Diane won the part of Jeanie in Hair. She later worked with Joan Littlewood’s Theatre Workshop, and twice appeared at the Royal Court Theatre in Tooth of Crime andTee Zee. Her many West End Musicals inc: Jesus Christ Superstar, Two Gentlemen of Verona , Petra in A Little Night Music (directed by Hal Prince); Fastrada in Pippin (directed by Bob Fosse), Diana in A Chorus Line (directed by Michael Bennett) Angel in The Rink , Heather in I’m Getting My Act Together , Molly Molloy in Windy City , Silvia in Stepping Out ; Side by Side by Sondheim; How Lucky CanYou Get; Songbook ; Vi in Nell Dunn’s Steaming ; Grizabella in Cats (New London); Mama Morton inChicago (Adelphi); Carlotta in Follies (Royal Festival Hall) and the Birdlady in Mary Poppins (Prince Edward)
Other theatre credits inc: The Courtesan in The Comedy of Errors (National and Worldwide tours for the RSC);Pearl Lamont in Johnny On A Spot and Miss Lucie in Sweet Bird of Youth; Guys and Dolls (all National Theatre). She also developed a biographical musical What I Did For Love (RNT Studio), which as showcased to great acclaim.
On TV Diane achieved national recognition for her part as Kathy Roberts in two hit series of The Rag Trade , and more recently as Nana McQueen in Hollyoaks ; Bev , Cindy Beale’s mother in Eastenders (BBC); Ruby Rowan , Nick Berry’s mother in Heartbeat and Junie , Del’s girlfriend in Only Fools and Horses. Her many other TV appearances inc: Alas Smith and Jones; Bergerac; Minder; Streets Apart; Boon; Starburst; Carry On Laughing; How To Be A Little Sod; Tonight at 8:30pm; The Bill; Doctors; Holby City; The Best of the Royal Variety Show and her own TV special Let There Be Langton.
Diane’s recording credits inc : I Can Talk To You (EMI); Climbin (PYE) and many cast recordings. The Best of Andrew Lloyd Webber ; Bianca in a new recording of Cole Porter’s Kiss Me Kate (TER). She was invited by Marvin Hamlisch in 1978 to appear with him in concert at The Royal Albert Hall with the London Philharmonic Orchestra. In the same year Diane was given the honour of being invited to appear in the first of two Royal Variety Performances in the presence of Her Majesty the Queen Mother, the second being in 1982. She has had much success with her one-woman show with appearances at The Green Room and Pizza On The Park.
Lara Pulver, Performer Patron
Known for her work on stage and TV shows such as Sherlock, Lara recently costarred in the hit mini-series Fleming with Dominic Cooper and will soon appearing in the new Tom Cruise feature film Edge of Tomorrow.
Starting out with a successful career on stage, Lara was nominated for a Laurence Olivier Award and a Theatregoers Choice Award for her of Lucille Frank in Parade at The Donmar Warehouse. Critics praised production, ‘Completing the cast is Lara Pulver, who follows her quite performance in Jason Robert Brown‘s The Last Five Years at the Chocolate Factory last year with another outstanding portrayal as Frank. She has now surely established herself as one of finest musical theatre performers in the UK.’ broadwayworld.com. Lara’s screen career has included roles in television series’ such as Robin (BBC), True Blood (HBO) and Spooks (BBC). She is most well-known for portrayal of Irene Adler in the BAFTA award winning BBC series Sherlock. Lara is currently a series regular on US TV show Da Vinci’s Demons and after returning to the stage this autumn playing Louise in the musical Gypsy alongside Imelda Staunton at the Chichester Festival Theatre, she will be reprising the role in the West End.
Lara’s previous theatre work includes: Uncle Vanya at The Festival Theatre; Parade at The Donmar Warehouse and Mark Taper Theatre, Los Angeles; Into The Woods at The Royal Opera House, Covent Garden; The Last Five Years at The Menier Chocolate Factory; Miss Saigon Cameron Mackintosh Ltd; The Royal National Theatre’s Honk! directed by Julia McKenzie; Beau Jest at The Hackney Empire; High Society directed by Ian Talbot; A Chorus Line at the Sheffield Crucible Theatre directed by Nikolai Foster; The Boy Friend at the Theatre Royal Windsor and UK tour; Chicago UK tour; Peggy Sawyer in 42nd Street UK tour; Grease at the Victoria Palace Theatre, West End; The Wizard of OZ at the Oldham Coliseum Theatre and Primrose Larkin in The Darling Buds of May UK tour.
As a teenager, Lara’s passion for theatre was ignited from working extensively with the National Youth Music Theatre appearing in numerous productions including Pendragon at The Lyric Theatre, Hammersmith, Edinburgh Festival Theatre, The City Center Theater, New York and The National Theatre, Taipei.
Ria Jones, Performer Patron
Ria Jones was born in Swansea South Wales. At 19, she became the youngest actress ever to play the role of Eva Peron in the musical “EVITA”. Followed shortly by her west end debut in the musical “CHESS”, in which she played both Svetlana and Florence. She then went on to play Grizabella in “CATS” at the New London theatre, where she stayed for two years. Her next theatre role was Fantine in “LES MISERABLES”, at Manchester’s Palace Theatre, followed by the national tour, and the west end. Then came the role of the narrator in “JOSEPH AND HIS AMAZING TECHNICOLOUR DREAMCOAT” at the Appollo Hammersmith, and the national tour. Other credits include “ROMANCE ROMANCE” at the Bridewell Theatre, playing both Josephine and Monica. Necrophorous in “NINE” at the Donmar Warehouse. Kim in the European premiere of the musical revue “PERSONALS” at the New End Theatre, Hampstead.And she created the role of Emma West, in “A TWIST OF FATE” at the Jubilee Theatre, Raffles, Singapore. Petra in Stephen Sondheims “A LITTLE NIGHT MUSIC”, at the Leicester Haymarket. Ida in “HONK” at the Victoria theatre, Singapore. The title role in the European premiere of “VICTOR VICTORIA” at the Bridewell Theatre. Liz Imbrie in “HIGH SOCIETY” Uk tour 2004/5, and the Shaftesbury theatre. Reno Sweeney in the 2006 national tour of “ANYTHING GOES”. Which she was nominated for a TMA award for best performance in a musical . Mrs Overall in “ACORN ANTIQUES” UK tour 2006/7 directed by Victoria Wood. Alex Spofford in “THE WITCHES OF EASTWICK” UK tour. Guest vocalist on “STRICTLY COME DANCING” the Professionals tour, CLOSER THAN EVER at the Landor Theatre, London, Dorothy Brock in 42nd ST,at The Curve, Leicester and The Witch in Stephen Sondheim’s “INTO THE WOODS” at the wonderful Esplanade Theatre, Singapore. Ria is currently rehearsing JERRY’S GIRLS which has it’s London premiere at The St James studio theatre in March.
Workshops include creating the role of Norma Desmond in “SUNSET BOULEVARD” at Sydmonton Festival. Stephen Sondheims MASTERCLASS at St Catherines college Oxford, Mercedes in “CARMEN NEGRA” at the Royalty Theatre, London. And “ZORRO” the musical at The Old Vic theatre, London.
Concerts have taken Ria worldwide. South Africa, Singapore, Shanghai, France, Belgium. She regularly is a guest soloist in Denmark, singing with all the major orchestras. In 2009, she was a guest soloist for the Danish Royal family at the concert house at Tivoli Gardens in Copenhagen. She has appeared as a soloist with The Royal Philharmonic Orchestra at The Royal Albert Hall. Sung by personal request at Buckingham Palace for The Duke Of Edinburgh Awards Scheme. As a soloist with The Birmingham Symphony Orchestra and the BBC Welsh Symphony Orchestra. A guest soloist in “Children Will Listen”, celebrating the work of Stephen Sondheim at The Theatre Royal Drury Lane. “A Night Under The Stars” with Bryn Tyrfel at his annual festival in North Wales. Mary Magdelene in “JESUS CHRIST SUPERSTAR” at the Barbican theatre, Eva Peron in “EVITA” in concert, Highams park Chelmsford. Fantine in “Les Miserables” in concert Cardiff Castle. And “MISSLEADING LADIES” at St Davids Hall Cardiff, which she co- devised with her brother Ceri Dupree. And in March this year again as a guest soloist in the “Best Of Broadway” at the Royal Albert Hall with The Royal Philharmonic Orchestra.
She has recorded her own TV show “One Night Only With Ria Jones” for BBC Wales. Guested on three Royal Variety shows for the BBC, aswell as appearing on numerous TV chat shows and radio shows. Including “Friday Night Is Music Night” for BBC Radio 2. And recently “Welsh In The West End” for ITV1 Wales.
Recordings to date are “Les Miserables” Manchester cast recording. Soloist “A Tribute To Hal Prince”. Kim in “Personals”. Emma West in “A Twist Of Fate”. Guest soloist on Pier Nielsen’s album “My Way” (which went platinum), and Jesper Lundgaard’s Album “Symphony For My Love”. Both recorded with The Sonderyllands Symphony Orchestra. “Abbaphonic”, and “The Music Of Rodgers And Hammerstein” with the Royal Philharmonic Orchestra. “Its Better With A Band” with the Prinsens Musikorps, And her recently launched album “Have You Met Miss Jones?”
Board of Advisors
Debbie O’Brien, Casting Director
West End productions include: The Harder They Come (Playhouse), Grease (Piccadilly and Victoria Palace), Showboat (Royal Albert Hall), Dancing in the Streets (Playhouse), The Rat Pack Live from Las Vegas (Savoy), Chitty Chitty Bang Bang (Palladium), Saturday Night Fever (Apollo Victoria), The Snowman (Peacock), Fame (Aldwych), Peter Pan and The Pirates of Penzance (Savoy), Mum’s the Word (Albery), Daisy Pulls It Off (Lyric), The King and I (Palladium), Napoleon (Shaftesbury), Madame Melville (Vaudeville), Hedwig and the Angry Inch (Playhouse), La Cava (Piccadilly). Smokey Joe’s Café (Prince of Wales), The Rocky Horror Show (Queen’s, Piccadilly, Duke of Yorks, Victoria Palace), Soul Train (Victoria Palace), Rent (Shaftesbury), Always (Victoria Palace), Steaming (Piccadilly), Ain’t Misbehavin’ (Apollo), Disgracefully Yours (Comedy).
UK tours include: Thriller Live, Defending the Caveman, Dancing in the Streets, The Rat Pack Live From Las Vegas, Mahabharata, Bratz Passion for Fashion, Sweet Soul Music, Chitty Chitty Bang Bang, Starlight Express, Anything Goes, Grease, Saturday Night Fever, What a Feeling, Dirty Dusting, Mack and Mabel, Fame, Mum’s the Word, The King and I, The Misanthrope, The Threepenny Opera, A Chorus Line, A Tribute to the Blues Brothers, Smokey Joe’s Cafe, The Rocky Horror Show, Soul Train, Rosencrantz and Guildenstern are Dead, Othello, Trafford Tanzi. Wild Animus (UK/European Tour/Site Specific/Multi Media Project)
Overseas productions include: Vagina Monologues, At Peace, Talking to Terrorists, Rent, The Rat Pack Live from Las Vegas, Fame, Magical Rhythms of Ireland, Starlight Express, An Immaculate Misconception, Footloose, A Tribute to the Blues Brothers, Steaming, The Rocky Horror Show, Private Lives, Fire of Dance, Musical Starlight, Yehenara, I Have Before Me A Remarkable Document.
Regional productions include : Cinderella (Southampton), Little Shop of Horrors (Ipswich), Oklahoma! (Kilworth House), Laurel and Hardy (Ipswich), Jack and the Beanstalk (Stafford and Wakefield), Beauty and the Beast (Ipswich), Blues in the Night (Ipswich), The Pirates of Penzance (Kilworth House), White Christmas (Edinburgh, Cardiff, Plymouth and Southampton), Cinderella (Wakefield), The Snowman (Salford, Birmingham and Edinburgh), Side by Side by Sondheim (Stevenage), Santa Claus, the Musical (Birmingham, Liverpool and Southampton), Only You Can Save Mankind and 100% Sex Therapy (Edinburgh Fringe Festival), Around the World in 80 Days, The Rise and Fall of Little Voice, They’re Playing Our Song, Stepping Out, Mephistopheles Smith, An Inspector Calls, Romeo and Juliet.
Other productions include : The Harder They Come (Barbican), Amadeus (Wilton’s Music Hall), Poison and Ain’t Misbehavin’, both at the Tricycle Theatre; Dick Whittington at Sadler’s Wells; the workshops of Grim, Artie, Gwen and Lance, Time’s Up, In the Red, Only You Can Save Mankind, Nelson, Mahabharata and Little Women; The Mikado. Specialist casting on Eugene Onegin (English National Opera) and La Boheme (Royal Albert Hall).
Recorded media: Waybulloo (RDF/BBC), Grandpa In My Pocket (Adastra/Cbeebies), What’s Your News? (TT Animation/Nickolodeon), Grease is the Word (Talkback Thames), Upbeat, Mobile, Sky, Success! and Challenges (Pearson Education), How Do You Solve a Problem Like Maria? (BBC), Amahl and the Night Visitors (BBC); Planet Cook (BBC/Platinum Films), Energy (Max Media/Pearson).
Alexandra McLean-William, Theatrical Agent & Producer
Alexandra founded McLean-Williams Management in 2001 in response to demand from a growing number of respected actors for a more dedicated and personal style of representation.
Prior to that, Alexandra was a highly influential public relations consultant in the entertainment industry, handling personal press, publicity and promotional requirements of numerous high caliber actors and theatre productions.
Alexandra has also worked on the launch of two entertainment magazines one for the highly successful “Time Out Group” and the other for “Express Newspapers”.
She was also notably, on the launch team of “Classic FM”, the first commercial classical radio station in the UK. The highly successful launch helped to establish the station as one of the most popular in the UK.
Most recently, Alexandra and Robin Cousins, MBE, who have worked together on a number of projects, have now set up their own theatre production company MWC Theatrical. They are hoping to stage their first West End production in 2011/12 in partnership with ACT Productions.
Outside of her working life Alexandra has been closely involved with a number of prestigious charities helping their fundraising efforts.
McLean-Williams Management is a member of The PMA (Personal Managers Association) and Women in Film & Television.
For more information see the agency website at:-
ANDY BARNES, Producer
Andy Barnes is an independent theatre producer based in London.
Andy originally trained as a Detective with the Metropolitan Police, a career he pursued for 14 years before his first production, a modern revival of the classic soul, funk musical, The Wiz. The production at the Hackney Empire was described as “seriously funky entertainment” by the Evening Standard and “sheer pizzazz” by Time Out, and was back at the same venue, by request, a year later.
Leaving the doors of Scotland Yard for the steps of the Central School of Speech & Drama, Andy completed an MA in Advanced Theatre Practice. Following this he attended the New Producers Workshop run by S.O.L.T and started producing full-time. Andy received the prestigious Society of London Theatre Producers Bursary in 2006.
A number of productions have followed; Departure Lounge at The Arts Theatre, Edinburgh Festival, Royal George Chicago and recently at Waterloo East Theatre where it was nominated for Best New Musical in the Whatsonstage.com Awards.
Other productions include; As Producer: Through the Door at Trafalgar Studios starring Paul Keating & Julie Atherton; Days of Hope at the Kings Head starring David Burt and Siobhan McCarthy; Dr. Foster at the Menier Chocolate Factory, produced in association with the RSC Fringe, starring Zubin Varla & Rachel Pickup; Someone Who’ll Watch Over Me at the Gene Frankel Theatre, New York and Dreams Come Out to Play at Birmingham Rep and Tour. As Associate Producer; When Harry Met Sally (UK Tour) starring Rupert Hill & Sarah Jayne Dunn and the forthcoming UK Tour of Andrew Lloyd Webber’s Tell Me on a Sunday starring Claire Sweeney.
Andy is Executive Producer of Perfect Pitch Musicals Ltd, a company he created for the development and showcasing of new British musical theatre which has lead to several productions, notably The Go-Between by David Wood OBE & Richard Taylor which will premiere at West Yorkshire Playhouse in September before a regional tour. Established in 2006, the company recently produced a concert of songs from new musicals starring West End leading lady Kerry Ellis, and has published the “Perfect Pitch Songbook” containing 16 brand new songs by new composers, from the works they have developed.
Tanya has worked as a Theatrical agent for nearly 17 years and has owned MORGAN AND GOODMAN (est. 1980) since 2005. She represents leading artists in every genre of the business – Film, TV, Commercials, Theatre and Musical Theatre – and has also helped British artists establish themselves successfully in America. Tanya has a very personal style of management; looking after her artists rather than just representing them. And by managing to keep her list select over the years, she believes has allowed her the time to personally develop her actor’s careers.
One of the most fulfilling things about being an agent, (aside from nurturing the careers of new actors), is in having a very long working relationship with her clients; indeed, she has represented some of her actors since the very beginning of her career, working with and supporting them throughout.
More recently, Tanya has established a new arm of the agency; M&GKids. Despite having a partner to run the kids division, she has been hands on with auditioning the kids and discovering the new talent. The enthusiasm of these children is infectious and, thus far, the enterprise is proving to be very rewarding. Although still small (it’s been established for less than a year), M&GKids already has children starring in the West End, on TV Drama and in many Commercials.
Having begun her career in London working as a model, Tanya can readily identify with the casting process on the other side of the camera. She moved on to work in Production, with a company based at Pinewood studios. This work took her across America and Europe where, aside from filming many Politicians, she was lucky enough to work with such stars as Peter Cook, Dudley Moore and Quentin Crisp, (whom she filmed in his favourite New York restaurant).
Tanya is married to actor/writer David Bardsley, giving her a valuable insight into the workings of an actor’s mind! They live in London with their three children.
Tanya is a member of Women in Film and Television and BAFTA.NB The MTA have the right to change the faculty – however we will always guarantee that all staff are still currently working in the industry, have a substantial CV of West End (or equivalent) credits and all of whom are experienced teachers.