Senior Faculty:

Annemarie Lewis Thomas BA (Hons) FRSA: Principal and Head of Musical Theatre:

Originally from Swansea, Annemarie trained At Middlesex Polytechnic, graduating with an honours degree in Performing Arts. As the Musical Director for the award winning Steam Industry she was the MD/Arranger for shows such as the London stage premiere of Calamity Jane, The King and I, The Sound of Music, Seven Brides for Seven Brothers all at BAC. Other MD/arrranging credits include: UK No 1 tours of Annie, Totally Frocked Up, Stage Stars and Spirit of the Musicals, the Irish premiere of Rent(for which she was the first person outside of Broadway to collaborate with the Larson estate to produce new arrangements); Martin Charnin’s 9 And a Half Quid Revue at the King’s Head; the UK premieres of Victor/Victoria, The Ultimate Man and Reefer Madness all at the Bridewell: the UK premiere of Naked Boys Singing at Madame JoJos: Pendragon for the NYMT on tour in Japan, Funeral Games, Dick Daredevil, South Pacific and Kiss and Tell all at the Drill Hall, London, the latter of which she also wrote the songs.

Alan Bradshaw: Head of Dance (Outgoing)

Alan trained at the Guildford School of Acting and graduated with a First Class BA(Hons) in Musical Theatre Performance and the Principal’s Award 2000.

Most recently Alan played George in the workshop of Perfectly Ordinary, and he is currently the Resident Director on the West End Production of School of Rock

Performance credits include: Swing/Children’s Dance Captain/Cover Mr Braithwaite in Billy Elliot (Victoria Palace Theatre), Custus in Crazy for You (Kilworth House Theatre), Lady be Good!; Pepe in The Boyfriend (for which he was Dance Captain and Assistant Choreographer to Bill Deamer); A Midsummer Night’s Dream (for which he was Dance Captain and Assistant Choreographer to Jenny Arnold) and Messenger in Macbeth (all at

Helen Siveter: Acting Head of Dance

Helen has just finished the UK No 1 tour of Cabaret.

West End credits: Memphis (Shaftesbury Theatre); Matilda – the Musical (Cambridge Theatre); Mamma Mia! (Novello, Prince of Wales Theatre); We Will Rock You (Dominion Theatre); Fame (Aldwych Theatre)

Other credits: Chicago (UK Tour); Rent (English Theatre Frankfurt); Fame (UK tour); Mamma Mia (International Tour); Saturday Night Fever (UK tour); Oh! What a Night (UK tour); The Wiz (Hackney Empire); Snow White and the Seven Dwarfs (Bristol Hippodrome); Peter Pan (Reading Hexagon); Mother Goose (Oxford Playhouse) and P&O Aurora.

Concerts: Tommy (Prince Edward); Spirit of Fire (Royal Albert Hall) and West End to Broadway (Palace Theatre).

Television credits: The Laurence Olivier Awards 2014 and 2015 (ITV); Sounds of the Musicals (Channel 4); Surprise Surprise (ITV); Horizon (BBC); This Morning (ITV); The Alan Titchmarsh Show (ITV); The Late Late Show (RTÉ); The Buzz (Channel 4) and The Fame School Graduates (Meridian).

Film credits: Mamma Mia 2:Here we go again!

Tilly Vosburgh: Head of Acting

Tilly trained at the Anna Scher Theatre, and has worked extensively in TV, film, radio and theatre. Film credits include Meantime and Vera Drake with Mike Leigh, The Awakening, Erik The Viking and The Pirates of Penzance.  TV credits include Call The Midwife, New Tricks, Holby City, 18 months in Eastenders, Murder Prevention, The Smoking Room, Waking The Dead, Tipping The Velvet, Holding On, Will You Love Me Tomorrow, Raspberry, and Teenage Health Freak. On stage she has appeared in Drag On at the Royal Court, The Pitchfork Disney at the Bush, My Sister In This House at Hampstead, The Threepenny Opera at the Bloomsbury, and Raspberry at the Soho Poly and Edinburgh Festival. She plays Ronnie Corbett’s daughter Ellie in When The Dog Dies on Radio 4, now on its third series, and has been in many radio plays, most recently Red Berries. Alongside acting, Tilly has been teaching screen acting at LSMT since 2001, and at CPA since 2006.  She is also a director at the RADA Contemporary Drama Summer school. Tilly wrote a short film Domestic Flight, which played in festivals around the world in 2009.  She also wrote for the radio 4 comedy series Late.

Josh Mathieson: Head of Voice/Vice Principal

Josh graduated with a First Class BA(Hons) in Drama and Creative Writing from Kingston University, and went on to gain his MA in Voice Studies from the Royal Central School of Speech and Drama.
Josh went on to design and deliver the practical voice component of the Musical Theatre Performance course at the University of Chichester in his post as Associate Lecturer (Voice Specialist), and has also taught voice, accent and acting at various performing arts colleges and drama schools including the Independent Centre for Actor Training (ICAT) and The Centre Performing Arts College. He has also taught workshops at Spotlight, City Academy, Associated Studios, W1 Workshops, the Performance Preparation Academy (PPA), the University of Westminster and Rose Theatre Kingston.
Voice Coaching credits include:
Scrooge and the Seven Dwarves (Theatre503, 2016), The Midas Project with BA Drama, Applied Theatre and Education (Royal Central School of Speech and Drama, 2017), The Happy Theory (The Yard, 2017), Grimm Tales (Chichester Festival Theatre, 2017), Alice in Winterland (Rose Theatre Kingston, 2017), Romeo and Juliet (Guildford Shakespeare Company, 2018), The Railway Children (Rose Theatre Kingston, 2018), Seussical (for theMTA, Pleasance, 2018), Beast Quest (Hampton Court Palace, 2018) and Hansel and Gretel (Rose Theatre Kingston, 2018).

Giles Taylor: Deputy Head of Acting

Giles is an actor and singer with a wide range of experience spanning almost thirty years. He has worked for the National Theatre, the Royal Shakespeare Company, in the West End and on Broadway, as well as at numerous repertory theatres around the country, including Chichester Festival Theatre, Birmingham Rep, the West Yorkshire Playhouse, Salisbury Playhouse, the Watermill Theatre, Newbury, and with Sir Alan Ayckbourn at Scarborough.

His most recent theatre credits include Twelfth Night and A Christmas Carol for the RSC, national tours of Shakespeare In Love and King Charles III, Wolf Hall and Bring Up The Bodies for the RSC in Stratford, the West End and on Broadway, This House at the NT, and An Ideal Husband at Chichester. Othercredits include After The Dance at the NT, The Secret Garden and The Wizard of Oz at both Birmingham Rep and the West Yorkshire Playhouse, Sam West’s acclaimed revival of Waste at the Almeida Theatre, The Way of the World and The Music Man at the Chichester Festival Theatre.

On television he has been seen in The Musketeers, the acclaimed Stuart: a Life Backwards and Stephen Poliakoff’s Friends and Crocodiles, Mr Selfridge, Foyle’s War and Is That All There Is?.

Giles teaches acting – especially Shakespeare – both in various drama schools, including Central, Drama Studio and Guildford School of Acting. He also works as a Verse & Rhetoric Consultant on productions across the country – most recently for the RSC’s acclaimed production of Dido, Queen of Carthage. Other credits include West Yorkshire Playhouse’s production of As You Like It, the Manchester Royal Exchange’s production of The Comedy of Errors, Shakespeare’s Globe on their 2008 tour of Romeo and Juliet, and for the Open Air Theatre, Regent’s Park’s recent productions of Pericles, Much Ado About Nothing, The Tempest and Romeo and Juliet.

He also teaches regularly at The Actors’ Centre and on the Genesis Programme for emerging directors at the Young Vic. He is an Associate Artiste of the National Youth Theatre, and is regularly involved as an actor, director, writer and dramaturg with Scene and Heard, a mentoring project for inner-city kids, which has recently won a Queen’s Award.

His first book – Dramatic Adventures in Rhetoric, co-authored with director Philip Wilson – was published in 2013 by Oberon Books, and is now on many reading lists for drama schools and university drama courses.

Michael Webborn: Deputy Head of Musical Theatre

Michael has worked around the UK as a Musical Director, Accompanist, Arranger and Composer.As Musical Director: For the MTA: Animus (World Premiere, Bridewell Theatre, London). For the Landor Theatre, London: The Clockmaker’s Daughter (World Premiere), Meet Me in St. Louis (UKPremiere), [title of show] (London Premiere), Next Thing You Know, Hot Mikado, Curtains (European Premiere). For Shakespeare 4 Kidz: Beauty and the Beast (International Tour), Pinocchio (International Tour), The Jungle Book (International Tour), The Snow Queen (International Tour), A Midsummer Night’s Dream (UK and International Tour), Willy Wonka and the Chocolate Factory (DUCTAC Theatre, Dubai), Aladdin (International Tour), Macbeth (UK and International Tour), The Tempest (UK and International Tour), The Little Mermaid (International Tour).

Alec Mann – Acting Deputy Head of Dance

Alec was born in Canterbury but grew up in Perth, Australia. Returning to the UK to further his training at Doreen Bird College.

He has just finished performing in Guys And Dolls at The Phoenix Theatre, London and Tel Aviv Opera House. This winter he will be appearing on BBC’s new drama Taboo starring Tom Hardy.

Nicky Griffiths – Acting Deputy Head of Dance

Bird College of Performing Arts

Jack and the Beanstalk – Winner of the Best Panto Award 2018 at the Great British Panto Awards.

Beauty and the Beast (Salisbury Playhouse),Narnia (UAE Tour), Love Is Only Love (The Other Palace), Gracie (Finborough Theatre), Macbeth (Ductac Theatre), Jack and the Beanstalk (Salisbury Playhouse) Made In Dagenham (Stratford Circus) Wizard of Oz, The Little Mermaid and Snow White (UAE Tour), West End Experience (UK Tour Assistant Choreographer), Robinson Crusoe (Bernie Grants)


Lorraine in Jersey Boys (Piccadilly Theatre), Assist Dance Captain in The Bodyguard (Adelphi Theatre), Penny Johnson in Dirty Dancing (UK Tour),Lisa in Mamma Mia (Prince of Wales Theatre and International Tour), Hairspray (OLC Shaftesbury Theatre), Wicked (OLC Apollo Victoria Theatre), Grease (UK Tour)

The Royal Variety Performance, Blue Peter, Alan Titchmarsh Show, This Morning, Commercials for Cable and Wireless, Pilsner Beer and Ford Car

Charlie and the Chocolate Factory(Warner Bros)

Health & Welfare:

Angie Peake RN (Adult) RN (Mental Health) DipHE, PGDip, MSc (distinction): Health & Welfare Consultant.

Angie is a dual registered nurse with an extensive background working with young people. Previously she was the lead nurse in an  Adolescent Acute Mental Health Services. Most recently she has taken up position as the Clinical Team manager for HEWS in Haringey. She has a Masters Degree in Systemic Management, Coaching and Consultation. Angie has worked as a youth centric counsellor for several years and is an experienced Solution Focussed Therapist. In more recent years Angie has also held private practice working predominantly with performers with suspected/known mental health issues. She wrote the industry standard charter #time4change
As the Consultant for The MTA Angie will be supporting staff by providing consultation and advice on all health and welfare issues. Students will also be able to access Angie’s services should the need arise.
The MTA prides itself on its pioneering approach to pastoral care.

Liz Bayley MSc MCSP HCPC (Chartered Physiotherapist)

Before deciding to train in Physiotherapy, Liz was a professional dancer for 15 years, performing all over the world, including a year in Paris at The Moulin Rouge. She then specialised in Latin, Ballroom and Argentine Tango, and worked extensively in London, most notably as the resident Argentine Tango instructor at Danceworks from 2011-2013. Her years as a dancer sparked her interest in sports injuries and she obtained an Advanced Diploma in sports therapy in 2009. Liz then worked as a sports therapist in the West End on shows such as Wicked, The Wizard of Oz, Singing in the Rain, Shrek, Charlie and the Chocolate Factory, Chicago, Matilda and Jersey Boys.

Liz has trained in neurology, respiratory, orthopaedic and musculoskeletal physiotherapy. Her first degree in psychology compliments her special interest in persistent pain. She has spent time working with the Royal Ballet school at White Lodge, the Birmingham Royal Ballet, and with the Matthew Bourne company. Liz is trained in DMA (Dance Medicine Australia) Clinical Pilates and uses her substantial grounding in movement, teaching, and sports massage to enhance her rehabilitation programmes. She also works at a private sports injury and musculoskeletal clinic in Ascot. Liz is honoured to have been connected with the MTA since 2012.

Warrick McNeill: Physio

Warrick is a New Zealand Trained Physiotherapist who has a Pilates Matwork Qualification.  He established a Private Practice, Physioworks, in the West End of London in 1992. Physioworks is well known for being ‘Tough on the causes of Pain’ and uses Movement Health as the basis for treating most musculo-skeletal problems. Warrick believes that Physiotherapy is about educating and empowering his clients to fix themselves, usually with specific exercise.  Warrick has interests in treating Dancers, Ergonomics and lecturing – with  aim of being clear and simple to convey the concepts to those on his courses. He has worked extensively in theatre, treating performers and technical staff and has been one of the National Theatre’s key physiotherapists since the early 1990’s. He has been the Physiotherapist at the London Studio Centre for 15 years helping under-graduate students develop into professional dancers. Warrick is an Associate Editor for the Journal of Bodywork and Movement Therapies primarily writing on Movement Control or Pilates since 2009. He has co-authored 2 book chapters.  He teaches for Performance Matrix and is a Matrix Movement Specialist. He would like to write a book : ‘Does My dog need to do Pilates?’ 

Wilma Kirsten: Consultant Nutritionist

Wilma Kirsten, your nutrition consultant, holds two science honours degrees and a masters diploma in Neurolinguistic Programming (NLP).  She has been practicing since 2005. With considerable clinic hours under her belt she has honed her expertise to focus on Irritable Bowel Syndrome (IBS), Inflammatory Bowel Disease (IBD) and hormonal health, including Pre Menstrual Syndrome (PMS), menopause, thyroid, and stress hormones.  For further information please look at her website

Dance Staff:

Edward Stevens

Edward was born in Ealing, London and trained at the Tring Park School for the Performing Arts and London Studio Centre, where he graduated in 2012 with a First Class Honours Degree in Theatre Dance. Upon graduation, Edward joined the 2012 UK tour of The Snowman in the title role and has returned for subsequent West End and UK tour seasons, taking on swing and understudy responsibilities in certain seasons.  He has also danced at the Royal Opera House in a charity event for Anna du Boisson’s West London School of Dance.

Over the winter season of 2016-17 and 2017-18, Edward joined The Nutcracker for children’s theatre company Let’s All Dance, performing at Sadler’s Wells and on a short UK tour. The production was a condensed version of the ballet and combined immersive theatre with classical ballet.

Edward is also an instructor at Barrecore, the UK’s premier barre fitness company and teaches regularly across their London studios.

Chris Whittaker

Training: London Studio Centre
Choreographer credits include Top Hat (The Gatehouse); Snow White (Civic Theatre, Chelmsford); The Wizard Of Oz (Harrow Arts Centre); Robin Hood (Henley on Thames); Ruby Strippers, charity gala (Novello Theatre); 9-5 (Gatehouse Theatre); London Theatre Direct Gala (Cafe De Paris, London); The Two Gentlemen Of Verona (Guildford Shakespeare Company); Wind In The Willows (UK tour including Blenheim Palace);  Blondel (Union Theatre); Judy! (Arts Theatre, London); Shout! (UK tour – associate director/choreographer); Anything Goes (Gatehouse, Best Choreographer nomination Off West End Awards); Hamlet – the musical (National tour of Italy); Aladdin (Millfield Theatre); A Song Goes Round The World (Upstairs at The Gatehouse); Peter Pan (Dubai); Through The Mill (Southwark Playhouse); Lucky Stiff (Lylian Baylis Theatre); Gatsby (Arts Theatre); You Won’t Succeed On Broadway If You Don’t Have Any Jews (St. James Theatre & International Theatre of Culture Tel Aviv); Singin’ In The Rain (Gatehouse, Best Choreographer – Off West End Award Finalist); A Catered Affair (London Theatre Workshop); Beauty & The Beast, Pinocchio, The Jungle Book (UAE tour); Romeo & Juliet (Ashcroft Theatre & Madinat Theatre, Dubai); The Apple Tree, Little Me (Rose and Crown Theatre); Assassins (The Pleasance); Just Another Love Story (Warren Venues, Brighton).
Original workshops for: Grimm; Gossamer & Berlin Non Stop.

Jenny Legg

Currently in 42nd Street (and is one half of the West End’s first EVER job share!)

Training: Bird College of Performing Arts.

Theatre includes: assistant dance captain/swing in Elf The Musical (Plymouth Theatre Royal/Lowry, Salford), ensemble in Mack and Mabel (Chichester Festival Theatre/UK tour), ensemble in Follies(Royal Albert Hall), ensemble/featured Broadway Melody Girl in Singin’ in the Rain (UK/international tour), dance captain/ensemble in Top Hat (UK tour/West End), dance captain/ensemble/cover Rita in White Christmas (Empire Theatre, Sunderland/Theatre Royal Plymouth/Lowry, Manchester), ensemble in Crazy For You (Kilworth House Theatre) and dancer in Aida (Chisinau National Opera, Hackney Empire).

Television includes: The Laurence Olivier Awards, Strictly Come Dancing, The Alan Titchmarsh Show,

Jane and Friends, Stageschool and Blind Ambition.

David Kar-Hing Lee

Began as a West End performer and went on to work as artistic producer, adjudicator of dance, actor and choreographer. During this time, he had the privilege of  working with Jason Scott Lee, Gillian Lynne, Elaine Paige, Michael Ball, Richard O’Brien, Miranda Richardson, Brian Blessed, Celia Imrie, Lindsay Duncan, Danny La Rue, Peter Firth and Jonathan Price to name but a few.

West End highlights include Fame – The MusicalMiss Saigon at the Drury Lane Theatre, Beauty & the BeastOh! What A NightThe King & IThe Lion King, Chitty Chitty Bang Bang and the recent revival of Miss Saigon.

Radio & TV highlights: Saigon – Year of The CatWild Thing, Beijing’s Slowest ElevatorThe Interpreter, Avenue Of Eternal PeaceSpooks (BBC television)

Daniel Chambers

Daniel was a gymnast from an early age competing in Men’s Artistic Gymnastics both at regional and national level gaining many titles along the way. he later became a Display Gymnast at Shirely Gymnastics Club competing across the UK gaining a Display Team Championship title in 2010.

Rachael Crocker

Rachael trained at Northern Ballet School and was a Royal Ballet senior Associate whilst training she qualified and took part in the prestigious Adeleine Genee Awards and also won the IDTA ballet scholarship.

Rachael recently toured with the ‘Strauss’ company directly from performing in ‘Kiss Me Kate’ for Welsh National Opera choreographed by Will Tuckett and directed by Jo Davies.

Other theatre credits include: ‘Cats’ (RUG Australia) as Tantomile understudy Jemima, Demeter and Victoria Graziella in ‘West Side Story’ (National tour); first understudy Meg Giry in ‘The Phantom of the Opera – 25th Anniversary tour’ (National tour); ensemble and first understudy Wendy in ‘Peter Pan’ (Mayflower theatre); ‘We Will Rock You’ (Antwerp Belgium); ensemble and understudied and played Wendy in ‘Peter Pan’ (Grand Canal theatre Dublin); first understudy Cinderella in‘Cinderella’ (Orchard theatre); ensemble and 1st understudy Iris in ‘Fame’ (National tour); ‘We Will Rock You’ (Dominion theatre); swing in the original London cast of ‘Movin’ Out’ (Victoria Apollo); alternate Ice Princess in ‘The Snowman’ (Peacock theatre); swing and first understudy Zsa Zsa in ‘Love Shack’ (National tour); Dance Captain and swing in ‘Grease’ (Victoria Palace, Japan and National tour); ‘Cinderella’ (New Victoria Woking), Rumpleteaser, Demeter, Jemima and Tantomile in ‘Cats’ (Stuttgart Germany); Meg Giry in ‘The Phantom of the Opera’ (Hamburg Germany) and the Spirit in ‘The Spirit of the Dance’ (US tour).

Film and TV credits include: ‘Devils in the Disguise’ for the Discovery Channel, ‘The Phantom of the Opera’ directed by Joel Schumacher and ‘Finding Neverland’ directed by Marc Forster.

Radio Credits include: BBC radio production of Smith of Wooten Major.

Rachael has also appeared on the Al Murray Show, took part in the 2008 Olympic handover ceremony and guested for Rock of Ages for their performance at West End Live. She also regularly performs for Incandescence Contemporary Circus Theatre Company and Private Drama Events.

Teaching: Rachael graduated from the Royal Academy of Dance gaining a Distinction for The Professional Dancers Teaching Diploma and teaches at various schools and colleges across London. She taught scholarship classes for the IDTA and RAD along with various workshops in ballet and jazz.

Selina Hamilton

Credits Include

Stephani Shanks in Strictly Ballroom(Westend)
Diva in Guys and Dolls (Westend)
Dirty Dancing UK Tour
Original London cast Dirty Rotten Scoundrels (Westend)
Constance Sack in Rock of Ages (Westend)
Mamma Mia International tour
Grease (Westend)
Original London cast Spamalot (Westend)
Disney’s remake of Beauty and the Beast film.
Debutant.Londons Olympic opening ceremony directed by Danni Boyle.

Cris Penfold

Training: London Studio Centre

Theatre: Kiss Me Kate (UK Tour); Toad in Wind in the Willows (Vaudeville Theatre/Duchess Theatre/Royal Opera House.); Sirius in The Star Child (Menier Chocolate Factory); West Side Story (Sage, Gateshead); Soho Cinders (Queen’s Theatre, London); West Side Story (UK Tour), We Will Rock You, Vienna/Zurich; On The Town (London Coliseum); Death In Venice (London Coliseum); A Journey of Jazz (Sadler’s Wells, London); Oliver! (London Palladium) and various pantomimes nationwide.

Adam Haigh

Training: Laine Theatre Arts and Northern Contemporary School of Dance.

As Director/Choreographer:Carmen 1808 (Union Theatre,Nominated for ‘Best Off West End Choreographer’);Behind the Legend (Churchill Theatre,Bromley);Some Enchanted Evening (UK Tour);Unfolding Tales,A New Musical (Stockwell Playhouse);Transforming Minds (Park Theatre);All Night Long (Wylettons Theatre)Adam is a member of the directors scheme at the Young Vic and  was also the Artistic Director of the MS Hamburg Cruise Line.
Associate/Resident Credits: The Cherry Orchard(Union Theatre)Taming Of The Shrew (Jack Studio Theatre);Princess Caraboo (Finborough Theatre);Exposure the Musical (St James Theatre); Summer in London,Workshop (Theatre Royal Stratford East); What’s on Stage Awards (Prince of Wales);The Best Man (UK Tour)

Other Credits:Once Upon a Quarry Hill;(West Yorkshire Playhouse) Anastasia;(Paris)Backing Dancer for Hifi;(Wembley Stadium)Corporate work;(2012 Olympic Games) Hairspray;(Asian tour)Under Milk Wood;(Maverick Theatre)Aladdin;(Bristol Hippodrome)

Natasha Moulds

Natasha most recently did Me and My Girl at Chichester Festival Theatre.
Natasha mould is a new up and coming talent of choreography and artistic direction. Her vision is to bring creative ideas to life using her unique blend of musicality, dance and visual storytelling. She has a diverse background of styles, which gives her the tools to fuse more than one style together to create something rather unique. Natasha has also had a very successful performing career. She has shared the London palladium stage and sung and danced alongside Nicole Scherzinger in the London revival of cats, learning from one of the best choreographers today; Dame Gillian Lynn. Natasha had also danced and choreographically assisted annually on celebrity and professional numbers on BBC’s Strictly Come Dancing, working alongside choreographers such as Jason Gilkison, Nathan Clarke and Matt flint. Natasha was dance captain on Craig Revel Horwood’s spectacular ‘Strictly Confidential’. She has also performed in seven brides for seven brothers in the Regent’s Park open air theatre, working with the amazing Alistair David. Hairspray with the incredible Drew McOnie, and last but not least Richard Marcel, who she has worked with a few times, whether it be Strictly come dancing or the Xtra Factor. So she truly has been part of work created by some of the best choreographers in the UK, and she has taken away and learnt things from each of them and adapted it to her own individual style.

Charlie Martin

Charlie comes from County Durham where she trained at Marron Theatre Arts before attending the Royal Ballet School where she was Head Girl and received the April Olrich Award for Most Dynamic Dancer. She completed her dance training at London Studio Centre and is now taking her Level 6 Teaching Qualification with BBO. Through her teaching and professional experience she has been invited to teach at Scholarship events around the country and adjudicate various competitions including Loughborough University Annual Dance Competition. Theatre Credits: Kathy Seldon in Singin’ in the Rain (Cork Opera House) Swing, Cover and Played ‘Dead Mam’ in Billy Elliot (Palace Victoria, West End) Charity/Cover Reno Sweeney in Anything Goes (Kilworth House). Ensemble, Cover and played Lina Lamont in Singin’ in the Rain (Palace Theatre, West End). Swing, Cover and Played Anita in West Side Story UK and World 50th Anniversary Tours, Alternate Narrator in Joseph (UK Tour) Ensemble in 42nd Street Gala Performance (London Palladium) Television Credits: Saturday Night Takeaway, Surprise Surprise! This Morning, Royal Variety Performance 2011, Bo-Salecta. Film Credits: Billy Elliot LIVE (Cinema and DVD Release) Recording: Singin’ in the Rain (London Cast Recording).

Philip Joel

Teaching faculty at: Wilkes Academy, London Studio Centre, Italia Conti, Urdang Academy, The MTA, MHTC.

Choreography credits: ‘NATASIA DEMETRIOU AND ELLIE WHITE ARE GETTIN’ BIG’ Soho Theatre, Harrods 10th anniversary magazine editorial. NET A PORTER internet campaign. ‘Ferris & Milnes A Christmas Cracker’ Ambassador theatre, London. ‘CLOSER TO HEAVEN’ The Pet Shop Boys musical Union Theatre, London. ‘Miracle on 34th Street’ UK Tour & Madinat theatre, Dubai. ‘ROCK CITY’ for Celebrity Cruises. ‘One Man Two Guvnors’ Theatre Royal Windsor. ‘Waka Waka for MSC Meraviglia’ ‘BBC Young Dancer Of The Year’ ’Six-Five Rock n Roll Express’ Assembly Hall Theatre. ‘PULSE’ short film for Oxygen Films. ‘Can’t Stop It’ The Other Palace, London. The X-Factor The Decibellas as guest entertainment for various cruise lines. ‘A Christmas Cracker’ UK Tour. ‘Ahmal & The Night Visitors’ London. ‘Dancing Queen’ for Really Big Pants Productions. ‘MAC Make-up Rocky Horror, STAR TREK, Snowball & The Nutcracker sweet make-up launch. ‘Ivor Novello and the Great British Musical’ St James’s Theatre, London. ‘Libero’ football magazine shoot. ‘Wish Upon A Prince’ London. ‘One Twenty One Guns’, Bridewell Theatre, London. ‘Sweet Charity’, Sadler’s Wells, London. ‘Grange Hill 40th Anniversary’ Elstree Studios, UK premier of ‘My Son Pinocchio, Geppetto’s Musical Tale’, music written by Stephen Schwartz. ‘An Evening with David Hasselhoff’, indigO2. ‘Aladdin’, Milton Keynes Theatre and Bristol Hippodrome. ‘Cinderella’ Bristol Hippodrome & Aylesbury Waterside Theatre for First Family Entertainment. ‘Snow White & The Seven Dwarfs’ Aylesbury Waterside Theatre for UK Productions. ‘Jack & the Beanstalk’ Lighthouse theatre, Kettering &, Grand Pavillion, Porthcawl. ‘Sleeping Beauty’ Gordon Craig Theatre. Wedding of Eamon Holmes and Ruth Langsford for Hello! Magazine. ‘Celtic Journey’, New York City dance section.

Film and Television credits: ‘StageyLive’ for Essex TV. Lead male dancer ‘The song of life’ for Leftfield. Featured artist for X-Factor’s Aiden Grimshaw’s debut music video ‘All This Love’. Dancer in ‘Gulliver’s Travel’. Dancer in ‘Walking On Sunshine’. Click track dancer for John Turturo in ‘Nutcracker – The Untold Story’. Dance captain MTV ‘Living On The Edge’. ‘Butler’ for the National Lottery Euromillions advert. ‘Top of the Pops’ as a backing dancer for Inaya Day. GMTV ‘100th Anniversary for the British Heart Foundation’. Featured dancer for Bollywood film ‘Veer’.

Theatre credits: Carmen Ghia in ‘The Producers’Male diction teacher & Assistant choreographer in’ Singin’ In The Rain’. Ensemble in ‘FAME The Musical’. ‘Fender’ in Hairspray The Musical. ‘Mike’ Oklahoma, ‘42nd St Gala’ at the London Palladium. Dr Coppelius‘, Widow Simone ‘La Fille Mal Gardee’, St Margarets Festival Ballet. ‘Aladdin’ at the Liverpool Empire, New Wimbledon Theatre. ‘Celtic Journey Dance Sensation’ at The Churchill Theatre, Bromley. ‘Twelve Days of Christmas’ at the London Cruise Terminal. ‘Jack and the Beanstalk’ playing the role of narrator/dance captain. ‘Live at the Bloomsbury, Bloomsbury Theatre, London. Philip has also appeared as a dancer at the ‘Daisy Ball’ and the ‘Candy Ball’ at the Grosvenor House Hotel, London.

Judge: Janet Cram Awards Modern Dance Final, Shaw Theatre, London. IDTA South East London Tap & Jazz competition. Elite Dance Competition, Belfast.

Philip teaches dance at a number of musical theatre performing arts colleges across London. He also guest teaches numerous guest celebrities from the show ‘Strictly Come Dancing’ and ‘Dancing with The Stars’. Also taught and choreographed for many celebrities including Pamela Anderson, David Hasselhoff, Paul O’Grady, Ruby Wax, Anita Dobson, Russell Grant, Bradley Walsh, Brian Blessed to name but a few. For more information see:




Amy Thornton

Amy is currently Assistant Choreographer on The Bodyguard. Other credits: Assistant Choreographer on Ant & Dec’s Saturday Night Takeaway. Mamma Mia Here We Go Again, The Bodyguard, Aladdin (Birmingham Rep), Resident Choreographer on Matilda, Rock of Ages, X Factor, Grease, Flashdance, Fame, Cats, Never Forget & Starlight Express.

Acting Staff:

Susan Raasay

Susan trained at the Guildford School of Acting and has recently graduated with an MA in Shakespeare and Contemporary Performance from Birkbeck University. Having enjoyed fifteen years working as an actress she now works as a freelance director and gives acting master classes in contemporary and classical text and Acting through Song.
Directorial credits include: John and Jen (Landor Theatre); a new book-musical for children Rumplestiltskin’s Daughter (Earls Court Festival); Footloose (Jasmine Teh Studio); Oliver! (Towngate Theatre); Back to the 80’s and The Music Man (Kenneth More Theatre); Monkey Town (Rosemary Branch Theatre).
For the London Studio Centre Seedtime Company she directed and designed Vinegar Tom; After Juliet; Stepping Out; Find Me; Fen; Top Girls; Maria Marten; Lady Audley’s Secret and Mixed Dobles (De Valois Studio). For the LSC Dance Overture she devised and directed Celebration Rain; Kitchen Crazy (Wimbledon Theatre); Beached (Shaw Theatre); City Segue (Peacock Theatre); and was Associate Director for Oh! What a Lovely War (Pleasance Theatre and Tour).
Susan is Head of Drama at the London School of Musical Theatre where she has established the drama curriculum over the last decade and annually directs two in-house productions in Contemporary and Classical text. She was Associate Director for LSMTs production of Jason and the Argonauts (Cochrane Theatre); Hope (Bridewell Theatre) and co-directed Roadways (LSMT). Earlier this year she directed My Favorite Year for LSMT at The Bridewell Theatre.

Matthew Smith

Matthew trained as an actor at LAMDA and later moved to directing – cutting his teeth as an assistant at the RSC. Over the years he’s worked with acclaimed Russian director Karma Ginkas, spent time with William Esper in New York, The Moscow Arts Theatre and performed alongside the actor Brian Cox in Orson Welles “Heart of Darkness” for Fiona Banner at the Royal Festival Hall. He was senior acting tutor at GSA and most recently the head of the postgraduate acting course at Mountview Academy of Theatre Arts; gaining recognition for developing innovative teaching and learning methods. He has worked as an acting teacher, director and coach for the last 17 years. In that time he’s helped numerous actors and performers and continues to be in demand as a freelance teacher and director both nationally and internationally.

Alasdair Harvey

Alasdair has worked extensively both in Theatre and Television. Theatre credits include: Forbidden Broadway (Menier Chocolate Factory), Frankie Harris in the Ray Davies award winning musical COME DANCING (Theatre Royal Stratford East), SIDE BY SIDE BY SONDHEIM (The Venue), Boatman/Dennis in the multi award winning production of SUNDAY IN THE PARK WITH GEORGE (Chocolate Factory/Wyndhams), PUTTING IT TOGETHER, (Harrogate Theatre), Wild Bill Hickok in CALAMITY JANE (National Tour), Bill Cracker in Happy End (Thursty Dog), Sky Masterson in GUYS AND DOLLS (Royal Lyceum, Edinburgh), Pirate King, PIRATES OF PENZANCE (Bromley Open Air), Alec D’Urberville in TESS OF THE D’URBERVILLES (Savoy Theatre), the Original Beast in Disneys BEAUTY AND THE BEAST (Dominion Theatre), Raoul in THE PHANTOM OF THE OPERA (Her Majesties Theatre), Grantaire/Marius/Enjorlas in LES MISERABLES (Palace Theatre), RNT production of CAROUSEL (Shaftesbury Theatre), Cliff in SUNSET BOULEVARD (Adelphi Theatre), ASPECTS OF LOVE (National Tour), Fiddler on the Roof (West Yorkshire Playhouse), MY FAIR LADY (National Tour) BLITZ! (Tyne Theatre)
Television credits. Harry Shaw in TAGGART, Bruce Malcolm in THE BILL, Ewan Patterson in RIVER CITY, Dave Schoffield in CASUALTY, Mr. Connors in HOLBY CITY and P.C. Robertson in BIRDS OF A FEATHER.
Alasdair has worked extensively as a concert artist both on radio and internationally, working with some of the worlds leading Symphony Orchestra including Halle, Orchestra of Scottish Opera, Schenzen Symphony Orchestra and the BBC Concert Orchestra. As a director Alasdair has previously directed Two and Shirley Valentine and most recently Ladies Day all at the Garrick Rep in Lichfield.

Voice Staff:

Katherine Heath

Katherine trained at the Royal Academy of Dramatic Arts, London.  Her first theatre role upon leaving RADA was the title role in the Royal Shakespeare Company’s Alice in Wonderland in London and Stratford-upon-Avon.  She then went on to perform in her first West End stage show appearing as ‘Trixie’ in Andrew Lloyd Webber’s production of Daisy Pulls it off.  For the last fourteen years she has gone on to work extensively in theatre, film, television and radio.

Theatre credits include:  Where Late the Sweet Birds Sang at The Rose Theatre, reprising her role as ‘Miss Casewell’ in the first international tour of The Mousetrap having played the part in the West End in its 58th year.

‘Marquise’ in a production of Alfred De Musset’s one act play A Door Must Be Kept Open or Shut at the Osborne Studio Gallery in Knightsbridge, London.  The number one National tour of the acclaimed Nell Dunn play Steaming playing ‘Nancy’. An American tour of Twelfth Night for AFTLS playing both ‘Olivia’ and ‘Maria’ and the world premiere of Terms of Endearment with the award-winning Linda Gray and Suranne Jones.  She has played ‘Sorrel’ in Game Plan at the Manchester Library Theatre, ‘Meg’ in a musical adaptation of Charles Dickens’ The Chimes at The Southwark Playhouse, ‘Penny/Antonia’ in The Shell Seekers and ‘Laurel’ in The Chalk Garden, Bill Kenwright’s number one tour.  Katherine has also performed in open air productions of Romeo and Juliet,The Taming of the Shrew and a new musical version of The Beggar’s Opera by Grant Olding with The Changeling theatre company.

T.V credits include Doctors (BBC) Casualty (BBC) and Beech is Back (ITV).

Film credits include Three Minute Moments for All Enquiries Productions and Prisoners of the Sun for Miromar/Cinemakers.

Katherine has recorded numerous radio dramas for BBC Radio 4 including George Silverman’s Explanation with Paul Schofield.

Katherine has taken a short break from the industry to complete her MFA in Voice Studies at the Royal Central School of Speech and Drama.  For the past 15 years she has developed a successful private coaching portfolio of students and acting clients. She has taught acting and voice at Hurtwood House, Guildford School of Acting (GSA), London College of Music, the Royal Central School of Speech and Drama and LIPA

Musical Theatre Staff:

Sara-Louisa Parry

Sara Louisa Parry studied singing at the Royal Northern College of Music in Manchester. Her first professional job was in the cast of Les Miserables at the Palace Theatre, Manchester and toured with the show to Dublin and Edinburgh. She was also a member of the cast in the 10th Anniversary concert at the Royal Albert Hall in 1995.

Other credits include Phantom of the Opera (Ensemble) London. Evita (Ensemble) Spektrum Theater Oslo, Grease (Miss Lynch) UK tour.

Recent productions include Oliver! (Widow Corney) in Rodgers and Hammerstein’s Cinderella (Fairy Godmother) at Trinity Theatre, Tunbridge Wells.

Sara Louisa is currently based in London, regularly touring the UK and cruising the ‘High Seas’ with the theatre show ‘The Master’s of The House’.

She also tours the UK with the Neil Sedaka tribute show ‘Oh! Carol’.

Emma Kingston

Training: Mountview Academy of Theatre Arts. Whilst training played Clara in Light in the Piazza.
Theatre: First Cover Eponine in Les Miserables (Queens Theatre) Vanessa in In The Heights (London Premier, Southwark Playhouse) Diva 1 in Priscilla Queen of the Desert (UK Tour) Miss Lynch/Covered and played Jan in Grease (UK Tour)
Concerts: Elegies for Angels Punks and Raging Queens (Criterion Theatre) 2015 Whats On Stage Awards (Prince of Wales Theatre) 2014 Womens Inspirational Awards (Cadogan Hall)

Gary Albert Hughes

Gary trained with full scholarships at The Purcell School of MusicGuildhall School of Music & Drama and the Royal Academy of Music where he qualified with a diploma in Musical Theatre and gained his Licentiate of the Royal Academy of Music Vocal Coaching Diploma. Also a fully qualified and certified natural medicine practitioner Gary has been fully trained in Systematic Kinesiology, muscle testing analysis, nutritional approach to health, acupressure, lymphatic massage, gentle structural manipulations, energetic and vibrational medicine, advanced personal communication and specialist counselling skills which he brings into his work as a Holistic Vocal Coach.

Gary was honoured to be invited as the vocal coach for The Sam Wanamaker Festival at Shakespeare’s The Globe Theatre in 2015 & 2016. This thrilling event invited 46 drama school students from the UK, America and China to participate in an intensive weekend of acting, movement and voice workshops culminating in a full length professional performance at The Globe itself.

Currently, Gary is vocal coach at The Musical Theatre Academy working with students on a one to one basis and enjoys a busy private practice on a Monday. Over the last 8 years he has enjoyed vocal coaching posts at the Italia Conti Academy of Theatre ArtsThe American Musical Theatre AcademyUrdang Academy of Performing Arts and City Academy.

Gary has had a varied and fascinating 12 year career as a performer, musician and vocal coach in classical, musical theatre and pop music. 

As a singer/actor Gary appeared as the singing presenter and bespoke comedy song writer in E4’s hit reality dating series ‘Playing It Straight‘ hosted by Alan Carr and Jameela Jamil, sang for Stephen Sondheim at his ’80th Birthday Prom’ (Royal Albert Hall) and his Honorary Doctorate ceremony (Royal Academy of Music), appeared as a guest soloist with Kerry Ellis and Brian May at their ‘Anthems’ concerts (Royal Albert Hall), has played leading roles in Operas and musicals including ‘My Mother Told Me Not To Stare’ (UK Tour), ‘Mother Goose’ (Oxford Playhouse), ‘Follies’ (Sir Jack Lyons Theatre), ‘Company’ (York Gate Studio) and was lucky enough to be a part of ‘The Calendar Girls Celebration’ (Royal Albert Hall) and the ‘Alan J Lerner Memorial Concert’ (Actors Church, Covent Garden). 

Gary helps people to understand their voice at a deep level, realise what emotions are holding them back and how to release them, empowering and harbouring the confidence to shine when and where it matters.

Alison Arnopp

Alison Arnopp has studied both classical singing (Royal College of Music) and musical theatre (Royal Academy of Music) at post graduate level in London, after initially training and working as a stage and television actress in her home city of Cork, Ireland.
Credits include: T’ain’t a Bird, workshop, Dir. Tamara Harvey; Tannhauser, Dir. Tim Albery, Royal Opera House; Constance & Sinestra and the Cabinet of Screams, Action to the Word; Babe, The Pajama Game, RAM; Titanic, Whatsonstage Awards 2014;  The Magic Flute, London Youth Opera; Thursford Christmas Spectacular; The Fingask Follies; Celtic Woman: Songs from the Heart US Tour; Tocatta: Musical Express Indian and Sri Lankan tour. She has also provided session vocals for folk, pop and funk bands as well as animations and short films. She played the lead in an episode of Obsession: Dark Desires for Discovery ID last year.
In April 2013 she was awarded third prize in the international Lotte Lenya Singing Competition, the criteria of which spans opera and classic and contemporary American musical theatre repertoire. This year Alison was awarded a 2014 Professional Development Grant from the Kurt Weill Foundation.
Alison is currently playing the lead in Dusty at the Charing Cross Theatre

Sean Green

Sean has a classical music degree from Birmingham University and completed a postgraduate diploma in Musical Direction from the Mountview School of Theatre Arts in 2009. Recent credits as Musical Director include Twelfth Night at the Young Vic, Liver Birds: Flying Home at Liverpool Royal Court, the UK Tour of the Wedding Singer, One Love at Birmingham Rep, Murder Ballad at the Arts Theatre, The Buskers Opera at the Park Theatre, Into The Woods at Manchester Royal Exchange and prior to that he toured Europe as Assistant MD on the European Tour of The Rocky Horror Picture Show with BB Promotions. Keyboard player credits include Wicked (UK and International Tour), Stephen Ward the Musical (Aldwych Theatre), Cabaret (UK Tour), Evita (UK and European Tour), The Phantom of the Opera (UK Tour), Whistle Down the Wind (UK Tour) and Peter Pan with Michael Rose Productions in Dublin and Southampton. Other credits as Musical Director include the original production of Soul Sister at the Hackney Empire, The Savoy Theatre and the UK Tour, the UK Tour of Britain’s Got Bhangra with Rifco Arts, and Little Red Riding Hood, Five Guys Named Moe and Aladdin all at Stratford East Theatre Royal. He was assistant MD on I Was Looking at the Ceiling and then I Saw the Sky, a joint production between Stratford East and the Barbican, and has worked on two Eyebrow 48 Hour Showtime Challenges – Crazy For You and Thoroughly Modern Millie. Workshop Credits include Miss Littlewood with the RSC, Leave Hitler To Me Lad with Duck Egg Theatre Company (UK Tour), Laila with Rifco Arts, The Diary of Me with Perfect Pitch, and Fanny Hill at the Jermyn Street theatre. Sean has taught at Mountview School of Theatre Arts, Guildford School of Acting, Arts Educational London, Trinity Laban Conservatoire, Urdang, Tring Park School and the Performance Preparation Academy.

Jordan Li-Smith PGDipRAM ALCM

Jordan is a composer/playwright, based in London. He is currently working on several projects,
including an adaption of a major feature film. Jordan often works with writer Ray Rackham, with an
album of their recent work expected to be released in 2019.
Aside from writing, Jordan is an award winning musical director & orchestrator, having trained at
the Royal Academy Of Music, as a Sir Elton John Scholar. He is also a proud alumnus of the
National Youth Music Theatre and an Associate of the London College Of Music. Jordan’s notable
MD credits include the acclaimed actor-musician revival of Ragtime at Charing Cross Theatre, for
which he won the first Off West End Award for Best Musical Director. Other credits as MD and/or
orchestrator include; The Assassination Of Katie Hopkins (Theatr Clwyd), The Bubbly Black Girl
Sheds Her Chameleon Skin (Theatre Royal, Stratford East), Some Lovers (The Other Palace),
Through The Mill (Southwark Playhouse). Jordan has recently worked on the feature film
Rocketman, as children’s casting MD and providing other musical assistance.
As an educator of musical theatre, Jordan has taught at the Royal Academy Of Music, LAMDA,
Mountview & The Hammond, having also musically directed productions at Guildford School of
Acting, Urdang Academy, Royal Academy Of Music, British Theatre Academy & Momentum
Performing Arts Academy.
Jordan is Artistic Director of Jord&Co. Productions.

Joe Bunker

Joe is a freelance musical director and vocal coach. 

Musical direction credits include: Wasted, The Rink (Southwark Playhouse); Superhero (Winner – Off West End Award, Best New Musical, 2017); My Fair Lady (The Mill at Sonning); 35mm: A Musical Exhibition (The Other Palace); Seven Crazy Bitches (The Vaults); The Events (UK & US Tour / Queen Elizabeth Hall); Rock City (Celebrity Cruises); Assassins (Pleasance); Side by Side by Sondheim (Headliners Club). 

As an actor: Our Town (Almeida).

Joe works as a vocal coach at LAMDA, and teaches singing and musical theatre history at Millennium Performing Arts. 

He is the associate conductor of Singing with Friends, a dementia-friendly choir at Wigmore Hall, the musical director of Barnes Community Choir, and the founder of The Collective (a choir for actors, songwriters and other waifs and strays).


Matt Smith

Matt is about to MD The School of Rock. Previous to that he was the MD on the West End production of Beautiful, and prior to that he worked on the Infidel (Stratford East) and Taboo, which he also helped develop and put together. Previously Matt was MD of We Will Rock You in Stuttgart and Berlin; and Never Forget at the Savoy theatre and touring. He has also MD’d Footloose, The Rocky Horror Show, Dancing in the Streets, This is Elvis, Vampirette, Bohemian Rhapsody and works as a vocal arranger and vocal coach.

Eamonn O’Dwyer

In a career spanning over 15 years Eamonn has worked as a musician, actor and composer in theatres all over the world. He studied voice with Mary Hammond and Maureen Scott at the Royal Academy of Music, where he was recently elected as an Associate. As a composer he has written original music for Peter Pan (Chichester Festival Theatre); The Wind in the Willows, The Lion, The Witch & The Wardrobe, A Christmas Carol, Hamlet, Tess of the d’Urbervilles & Arabian Nights (Rose Theatre, Kingston); Three Sunrises (St James Theatre RE:act); The Man Who Was Thursday (Arcola Theatre); A Flea in Her Ear (Tabard Theatre); Stones in his Pockets (Dukes, Lancaster); Portia Coughlan (Old Red Lion); Stones in his Pockets, Around the World in Eighty Days​ & The Glass Menagerie (Chipping Norton Theatre); Much Ado About Nothing ​(Stockholm English Speaking Theatre); A Midsummer Night’s Dream (Barakura Festival Theatre, Japan); The Massacre ​​(Theatre Royal, Bury St Edmunds); Liquorice & Smokerings ​​(New Wolsey, Ipswich); and Frankenstein (Dorset Corset Theatre Company). The score for his original musical The House of Mirrors & Hearts won the MTM Award for Best New Score at the Edinburgh Festival in 2010, and after its critically acclaimed run at the Arcola Theatre in 2015, received its US premiere in July at the Towle Theatre, Indiana in 2016. For more info visit

Specialist Skills:

Geoff Beale: Commedia

Geoff Beale co-founded Ophaboom Theatre, a commedia dell’arte company which has performed all over the UK and Europe for 17 years including five times at the Venice Carnival. He has also taught Commedia at the National and E15 and is a regular performer for The Secret Cinema including being the global performance director for their Star Wars production, Gideon Reeling and a new young company A Commedia of Errors. Most recent credits inc: 2016 movement director for KQJ theatre Beijing, Actor Milan fashion show for Billionaire fasion house, Commedia Consultant Punch and Judy Beijing.

Anna Williamson: Presenting

Anna has been performing on stage and screen since her early teens and is best known as a presenter on Nickelodeon, The Disney Channel, CiTV and ITV’s “Daybreak”, ITV’s hit show, Splash and most recently as the relationship expert on Celebrity Big Brother’s ‘Bit On The Side’ 2015 on Channel 5.
Anna has been performing since her early teens and at 15 joined the girl-group Blush. After a year and a half performing with the group, an opportunity to present on kids TV changed her career path forever. After her first job reporting for Carlton Television alongside Angellica Bell, Konnie Huq and Naomi Wilkinson, she was offered a role on Disney Channel and presented Studio Disney weekdays, as well as the Disney Channel Kids Awards in front of 10,000 people.

After a year at Disney, Anna was snapped up by TransWorld International (TWI) to host a daily live technology show, Gamer, where she completed over 200 live shows. Other credits include, The Tech Guide for G-Cap Media, Channel 5’s Milkshake, The Core and Shake and co-hosting the Channel 5 Summer Roadshows and Robot Wars. For ITV; Rescue Robots, Scary Sleepover, Skillicious and CiTV and she has also fronted various shows in the USA, the most memorable for At It Productions on the hit movie starring Amy Adams, Enchanted. In 2005, Anna joined GMTV where she co-presented with Jamie Rickers on the number 1 rating kids show, Toonattik. After 6 years on the successful show, the duo were snapped up by Nickelodeon to host ‘Jamie and Anna’s U Pick Summer’ and then ‘Jamie and Anna’s Big Weekend’. Together, they have completed over seven separate series for Nickelodeon, including popular fanzine show ‘Anubis Unlocked’. Last summer, they completed their second season of hit series, ‘Camp Orange’ and also toured their adventure game show ‘Boys v Girls – The Ultimate Challenge’. Anna has hosted the Main Stage at Bounce Festival, the sold-out Nickelodeon Skills Awards and the Nickelodeon Kids Choice Awards, interviewing the likes of Snoop Dog, Jack Black, Will Smith and One Direction. This year, Anna took part in ITV’s celebrity diving show Splash! where she got through to the semi-finals and was the last female left in the competition. She is also regular on ITV’s Daybreak and Lorraine, where she has covered everything from celeb interviews to current affairs and regularly hosts the weekly competitions. Due to her natural interest, tenacity and passion to bring the latest showbiz news to the masses, she is considered a highly credible source within the industry and her entertainment column in Digital Spy regularly gets over 100,000 hits. In addition to her television and stage career, Anna is a keen charity supporter and is very proud of her ambassador roles for The Princes Trust and The Young Variety Club. In 2009 she gained a Diploma in Counselling and went on to join Childline as a qualified and practicing volunteer counsellor. Her experience and caring nature have led to her own agony aunt column for teen magazine, Girl Talk and several weekly strands called ‘#Ask Anna’ on ITV daytime show This Morning. Due to the features great success, Anna has been invited back to join Eamonn Holmes and Ruth Langford on This Morning over the summer. In 2013 Anna was also appointed as an an official ambassador for the mental health charity, Mind. She now talks openly about her own battle with severe anxiety and panic attacks and has hosted several events and debates surrounding this topic, including the ‘Time for Change’ media conference for Channel 4. A registered Life Coach, Anna has also gained a hugely reputable media profile as a ‘mind, body and soul’ campaigner, and top-selling health magazine Top Sante have recruited her as their agony aunt. Anna will be on hand, giving advice and support through monthly reader questions, regular Facebook chats and ad-hoc columns. Anna is also a versatile voice over artist and credits include Sony, GMTV, ITV, Channel 4, Nickelodeon, MTV and Living TV. For more information on Anna, go to –

Mervyn Millar: Puppetry

Mervyn Millar is a theatre director and puppetry specialist and the Director of Significant Object (
As puppetry designer & director his work includes: James II (NTS/NT), Die Brüder Löwenherz (Schauspielhaus Zürich), Siegfried and Die Walküre (Opera National du Rhin), Great Expectations and The Comedy of Errors (RSC), The Odyssey (Lyric Hammersmith, Bristol Old Vic) Get Santa! (Royal Court), The Secret Garden (WYP, Birmingham Rep), The Thief of Baghdad (ROH), The Magic Carpet (Lyric Hammersmith), Unfolding Andersen (theatre-rites / British Library), James and the Giant Peach (Bolton Octagon, MEN award winner) and work for the Young Vic and the National Theatre Studio. He has a longstanding association with Handspring Puppet Company and was part of the creative team on War Horse from the first workshops, appearing in the first two casts at the NT and subsequently directing the puppetry in London, New York, Toronto and Berlin. Other work for Handspring includes Stiller (with Bayerisches Staatsschauspiel, Co-director), Crow (Festival 2012/GDIF, Director), Jubilee Salute (with National Theatre, Co-director), Tall Horse (Asst Director) and Or You Could Kiss Me (with National Theatre, performer). He was Artistic Director of Handspring UK. He was Director at the Finborough Theatre for the Steam Industry between 1998 and 2000 and has directed at theatres including the National Theatre (Cottesloe), BAC, Theatre Royal Plymouth, NVT (Norway) & international touring with his company wireframe. His collaboration with Kazuko Hohki and Andy Cox, Evidence for the Existence of Borrowers, won a Total Theatre Award and a Herald Angel Award.  He is the author of The Horse’s Mouth, about the development process of War Horse, and The Journey of The Tall Horse, documenting a collaboration between two African puppet companies. Both are published by Oberon Books. In 2010 he became the first puppetry specialist to win an Arts Foundation Fellowship.

Matt Addis: Recorded Voice

Matt read English & French at the University of Manchester and trained at Mountview. He made his West-End debut in Boeing Boeing in 2007 and has since worked extensively on stage and screen across the globe. Matt joined the BBC Radio Drama Company in 2009 and has been heard in hundreds of radio dramas, comedies and documentaries. He is a popular audiobook reader both here in the UK and in the US. His ADR work includes major HBO series and Hollywood blockbusters. TV and Radio commercial voiceovers include clients such as Vauxhall, Ford, Skoda, Sony, Domino’s Pizza, PayPal, the Stereophonics, Crowded House and the Samaritans. He has voiced many major computer games, including CodeMasters F1 Race Stars. His live voice work includes the Global Fashion Awards, United Nations events at Windsor Castle, and many prestigious poetry readings. Matt coaches actors and presenters from both sides of the Atlantic in finding and using their voice in recorded media. He has taught a week-long Masterclass in Recorded Voice at The MTA since 2011 which gives students an unparalleled introduction into the world of voice work, through practical workshops using industry standard practices and equipment.

Haruka Kuroda: Stage Combat

Haruka trained at the Guildford School of Acting. 

Her credits include; for Theater: Wit (Manchester Royal Exchange), In the Beginning was the End (dreamthinkspeak), Little Sunshine Little Rainfall (A Thousand Cranes), My Life in CIA (Give It A Name), The Paper Washi Wish (A Thousand Cranes), The Nightingale (Yellow Earth), Ali Baba and Forty Thieves (Illyria), Around the World in 80 Days (Liverpool Playhouse). For TV: Spot Bots (CBeeBies, Officially Amazing (CBBC), Hebburn, Chaos Laboratories, Ideal, Brain Jitsu, Things Talk, Hiroshima, Broken News, Grass, Jonathan Creek, (all for BBC), Thunderbirds Are Go!, The Bill (both for ITV) and Anne and Katy (Ch4). For film: Life, London Road, Foster, Swinging with the Finckels, Random 11 (part 1), Iris & One Minute past Midnight which won the Best Short Film at Chicago Film Festival in 2005 and for Radio: Fewer Not Less, After the Quake & A Pale View of Hill (all for BBC Radio 4). Haruka is a much sought after voice over artist and is the voice of Noodle, a character from the international pop band Gorillaz.

She is also a qualified Stage Combat Instructor (British Academy of Dramatic Combat) and fight/ movement director. She has taught at various drama schools and workshops in the UK and Europe.

Board of Advisors:

Nia Lynn: Vocal Consultant

Nia Lynn is the Principle Study Jazz Singing Specialist at the Royal Academy of Music, and a specialist teacher at Trinity-Laban College of Music & Dance, Royal Welsh College of Music and Drama, and work at Guildhall School of Music and Drama as a mentor for the creative learning department ont heir Leadership MMus course. She is the Head of Voice at The MTA, London (voted School of the Year 2011 by The Stage), where she heads the full-time programme specialising in voice and breath work as well as accents and dialects (including the International Phonetic Alphabet).

She is currently working as Voice Coach for the Royal Shakespeare Company on the Olivier award winning musical, ‘Matilda’. She also represented the RSC in a series of workshops at this year’s International drama students conference in Sheffield where she will be returning this summer to continue work with the Sheffield theatres summer programme. She has also worked with Jean Abreu on his new solo piece called Blood, she has also been working the Battersea Arts Centre on their production ‘Brand New Ancients’ which will be performed at this years Latitude festival as well as on-going work on a new piece with Up and Coming young Director Jacqui Honess-Martin debuting in 2012. Nia has a full and varied career as a performer, and was a nominee for Jazz Musician of the Year 2010. Nia’s work focuses on body and breath, text and voice, interpretation and improvisation. Nia’s twelve years of teaching and practical experience make her a leading member of the voice community and a specialist within her field. She is also studying to qualify as a British Wheel of Yoga instructor with TriYoga UK in 2014.

Debbie O’Brien: Casting Director

West End productions include : Thriller Live, Annie (children’s casting), Kinky Boots (children’s casting), The Knowledge, The Rat Pack Live from Las Vegas, In the Bar of a Tokyo Hotel, Sinatra, American Idiot, Dusty, Show Boat (children’s casting), The Bodyguard (children’s casting), Priscilla Queen of the Desert, Grease, Flashdance, Piaf, The Snowman, Respect La Diva, The King and I, The Harder They Come, Showboat, Dancing in the Streets, Chitty Chitty Bang Bang, Saturday Night Fever, Fame, Peter Pan, The Pirates of Penzance, Mum’s the Word, Daisy Pulls It Off, Napoleon, Madame Melville, Hedwig and the Angry Inch, La Cava, Smokey Joe’s Café, The Rocky Horror Show, Soul Train, Rent, Always, Steaming, Ain’t Misbehavin’, Disgracefully Yours.

 UK tours include : Grease, Footloose, Room, The Bubbly Black Girl Sheds Her Chameleon Skin, Laila, a new Musical, Jackie the Musical, Let It Be, American Idiot, Dirty Dancing, Priscilla Queen of the Desert, Crush the Musical, Thriller Live, The Bodyguard and Annie (children’s casting), Dancing in the Streets, The Threepenny Opera, Our House, Soul Sister, I Was a Rat, Carnaby Street, 51 Shades of Maggie, Doctor In the House, Hormonal Housewives, Tell Me On a Sunday, Cacophony, Menopause the Musical, Flashdance, Defending the Caveman, The Rat Pack Live From Las Vegas, Mahabharata, Sweet Soul Music, Starlight Express, Anything Goes, What a Feeling, Dirty Dusting, Mack and Mabel, The Misanthrope, A Chorus Line, A Tribute to the Blues Brothers, Smokey Joe’s Cafe, The Rocky Horror Show, Soul Train, Wild Animus.

Regional and international productions include : Starlight Express (Bochum and international tour), Caroline or Change, Oxy and the Morons, Top Hat, Kiss Me Kate, Godiva Rocks, Treasure Island, Five Guys Named Moe, Priscilla Queen of the Desert (NCL), West Side Story, Ostrich Boys, Red Snapper, The Sisterhood, Medea, Singing in the Rain, Legally Blonde, Cougar, Cats (RCCL), Midsummer Songs, The BFG, Evolution, South Pacific, Sister Act, Much Ado About Nothing, As You Like It, A Midsummer Night’s Dream, Romeo and Juliet, The Comedy of Errors, Merry Wives of Windsor and Twelfth Night, Jackie the Musical, Hairspray, Fame, Alice In Wonderland, The Sound of Music, Chicago, Hair, The Opera Show, Soul Sister; Little Shop of Horrors, The Corstorphine Road Nativity, White Christmas, And Then The Dark, Mods and Rox, Robin Hood, Noises Off, It’s a Wonderful Life, Laurel and Hardy, Blues in the Night, My Fair Lady, Anything Goes, The Sound of Music, Me and My Girl, Little Shop of Horrors, Guys and Dolls, Crazy For You, Oklahoma!, The Opera Show and The Pirates of Penzance, Amadeus, The Snowman; Side by Side by Sondheim, Only You Can Save Mankind and 100% Sex Therapy

Cruise Companies include : NCL, Aida, P&O, Carnival, Royal Caribbean and Crystal

 Recorded media : Waybuloo, Grandpa In My Pocket, What’s Your News?, Buddy Patrol, Tic Toc, Quick Quack Duck, Grease is the Word, How Do You Solve a Problem Like Maria , Amahl and the Night Visitors, Planet Cook, Energy.

Other experience includes : UK Tour manager for Mark Morris Dance Group, Tricia Brown Dance Company, Stephen Petronio Dance Company, Elizabeth Streb Dance Company; Acting Administrative Director, Dance Umbrella; General Manager, Maybox Theatres; General Manager, Theatre of Comedy and Shaftesbury Theatre; European consultant, Pace/Turnstyle Ltd; Project Manager, Peacock Theatre refurbishment; Deputy Project Manager, Sadler’s Wells redevelopment.

Andy Barnes: Producer

Andy trained at Central School of Speech & Drama.
He is Executive Producer of Perfect Pitch, a company he and partner Wendy, created for the development and production of new British musical theatre which has led to several productions, notably The Go-Between starring Michael Crawford (West End & West Yorkshire Playhouse, Royal & Derngate, Northampton & Derby Live) Winner Best Musical Production at UK Theatre Awards & nomination for Best Regional Production – awards; Lift (Soho Theatre) nominated for Best Original Music – awards; The House of Mirrors & Hearts at the Arcola Theatre; and From Up Here (South Hill Park).

There have been several international productions of their shows New York, Tokyo, Mexico, Belgium & the world premiere of Through The Door in Korea. Forthcoming productions include; Danny Hero at the Core Theatre, Corby and Pieces of String shortly to be announced for 2017. Andy received the Stage One Producers Bursary in 2006 and has independently produced a number of productions including ; The Wiz (Hackney Empire); Departure Lounge (Edinburgh, New York, London & Chicago) nominated for Best New Musical in the Awards; When Harry Met Sally (UK Tour); Tell Me On A Sunday (UK Tour); Days of Hope (Kings Head); Dr. Foster (Menier Chocolate Factory) produced in association with the RSC Fringe; Someone Who’ll Watch Over Me (Gene Frankel Theatre, New York) and Dreams Come Out to Play (Birmingham Rep and UK Tour).

Tanya Greep: Agent

Tanya has worked as a Theatrical agent since 1993, she then bought out the other partner in MORGAN AND GOODMAN (est. 1980) in 2004 recently changing the name of the company to TMG London. She represents leading artists in every genre of the business – Film, TV, Commercials, Theatre and Musical Theatre – and has also helped British artists establish themselves successfully in America.  

She looks after a small number of creatives, Casting Director, Musical Directors and writers and is very hands on in developing the projects of the writers and even co-producing their work with established producers.  Tanya has a very personal style of management; looking after her artists rather than just representing them.  And by managing to keep her list select over the years, she believes has allowed her the time to personally develop her actor’s careers, running the definition of a Boutique Agency. One of the most fulfilling things about being an agent, (aside from nurturing the careers of new actors), is in having a very long working relationship with her clients; indeed, she has represented some of her actors since the very beginning of her and their careers, working with and supporting them throughout. More recently, Tanya has established a new arm of the agency; M&GKids.  Despite having a partner to run the kids division, she has been hands on with auditioning the kids and discovering the new talent.  The enthusiasm of these children is infectious and, thus far, the enterprise is proving to be very rewarding. Although small and it will remain so, M&GKids already has children starring in the West End, on Feature Films, TV Drama and in many Commercials. Having begun her career in London working as a model, Tanya can readily identify with the casting process on the other side of the camera.  She moved on to work in Production, with a company based at Pinewood studios.  This work took her filming across America and Europe where, aside from filming many Politicians and stars, she was lucky enough to work with such legends as Peter Cook, Dudley Moore and Quentin Crisp, (whom she filmed in his favourite New York restaurant). Tanya is married to actor/writer David Bardsley, giving her a valuable insight into the workings of an actor’s mind!  They live in London with their three children, the middle one has already made her West End debut at the age of 11! Tanya is a member of Women in Film and Television and BAFTA. NB The MTA have the right to change the faculty – however we will always guarantee that all staff are still currently working in the industry, have a substantial CV of West End (or equivalent) credits and all of whom are experienced teachers.

Alexandra McLean-William: Agent

Alexandra founded McLean-Williams Management in 2001 in response to demand from a growing number of respected actors for a more dedicated and personal style of representation.
Prior to that, Alexandra was a highly influential public relations consultant in the entertainment industry, handling personal press, publicity and promotional requirements of numerous high caliber actors and theatre productions.
Alexandra has also worked on the launch of two entertainment magazines one for the highly successful “Time Out Group” and the other for “Express Newspapers”.
She was also notably, on the launch team of “Classic FM”, the first commercial classical radio station in the UK. The highly successful launch helped to establish the station as one of the most popular in the UK.
Most recently, Alexandra and Robin Cousins, MBE, who have worked together on a number of projects, have now set up their own theatre production company MWC Theatrical. They are hoping to stage their first West End production in 2011/12 in partnership with ACT Productions.
Outside of her working life Alexandra has been closely involved with a number of prestigious charities helping their fundraising efforts.
McLean-Williams Management is a member of The PMA (Personal Managers Association) and Women in Film & Television.
For more information see the agency website at:-

The Patrons:

Ria Jones: Performer Patron

Ria Jones was born in Swansea South Wales. At 19, she became the youngest actress ever to play the role of Eva Peron in the musical “EVITA”. Followed shortly by her west end debut in the musical “CHESS”, in which she played both Svetlana and Florence. She then went on to play Grizabella in “CATS” at the New London theatre, where she stayed for two years. Her next theatre role was Fantine in “LES MISERABLES”, at Manchester’s Palace Theatre, followed by the national tour, and the west end. Then came the role of the narrator in “JOSEPH AND HIS AMAZING TECHNICOLOUR DREAMCOAT” at the Appollo Hammersmith, and the national tour. Other credits include “ROMANCE ROMANCE”  at the Bridewell Theatre, playing both Josephine and Monica.  Necrophorous in “NINE” at the Donmar Warehouse. 

Kim in the European premiere of the musical revue “PERSONALS” at the New End Theatre, Hampstead.And she created the role of Emma West, in “A TWIST OF FATE” at the Jubilee Theatre, Raffles, Singapore. Petra in Stephen Sondheims “A LITTLE NIGHT MUSIC”, at the Leicester Haymarket. Ida in “HONK” at the Victoria theatre, Singapore. The title role in the European premiere of “VICTOR VICTORIA” at the Bridewell Theatre. Liz Imbrie in “HIGH SOCIETY” Uk tour 2004/5, and the Shaftesbury theatre. Reno Sweeney in the 2006 national tour of “ANYTHING GOES”. Which she was nominated for a TMA award for best performance in a musical . Mrs Overall in “ACORN ANTIQUES” UK tour 2006/7 directed by Victoria Wood. Alex Spofford in “THE WITCHES OF EASTWICK” UK tour. Guest vocalist on “STRICTLY COME DANCING” the Professionals tour, CLOSER THAN EVER at the Landor Theatre, London, Dorothy Brock in 42nd ST,at The Curve, Leicester and The Witch in Stephen Sondheim’s “INTO THE WOODS” at the wonderful Esplanade Theatre, Singapore. Ria is currently rehearsing JERRY’S GIRLS which has  it’s London premiere at The St James studio theatre in March. Workshops include creating the role of Norma Desmond in “SUNSET BOULEVARD” at Sydmonton Festival. Stephen Sondheims MASTERCLASS at St Catherines college Oxford,  Mercedes in “CARMEN NEGRA” at the Royalty Theatre, London. And “ZORRO” the musical at The Old Vic theatre, London. Concerts have taken Ria worldwide. South Africa, Singapore, Shanghai, France, Belgium. She regularly is a guest soloist in Denmark, singing with all the major orchestras. In 2009, she was  a guest soloist for the Danish Royal family at the concert house at Tivoli Gardens in Copenhagen. She has appeared as a soloist with The Royal Philharmonic Orchestra at The Royal Albert Hall. Sung by personal request at Buckingham Palace for The Duke Of Edinburgh Awards Scheme. As a soloist with The Birmingham Symphony Orchestra and the BBC Welsh Symphony Orchestra. A guest soloist in “Children Will Listen”, celebrating the work of Stephen Sondheim at The Theatre Royal Drury Lane. “A Night Under The Stars” with Bryn Tyrfel at his annual festival in North Wales. Mary Magdelene in “JESUS CHRIST SUPERSTAR” at the Barbican theatre, Eva Peron in “EVITA” in concert, Highams park Chelmsford. Fantine in “Les Miserables” in concert Cardiff Castle. And “MISSLEADING LADIES” at St Davids Hall Cardiff, which she co- devised with her brother Ceri Dupree. And in March this year again as a guest soloist in the “Best Of Broadway” at the Royal Albert Hall with The Royal Philharmonic Orchestra. She has recorded her own TV show “One Night Only With Ria Jones” for BBC Wales. Guested on three Royal Variety shows for the BBC, aswell as appearing on numerous TV chat shows and radio shows. Including “Friday Night Is Music Night” for BBC Radio 2. And recently “Welsh In The West End” for ITV1 Wales. Recordings to date are “Les Miserables” Manchester cast recording. Soloist “A Tribute To Hal Prince”. Kim in “Personals”. Emma West in “A Twist Of Fate”. Guest soloist on Pier Nielsen’s album “My Way” (which went platinum), and Jesper Lundgaard’s Album “Symphony For My Love”. Both recorded with The Sonderyllands Symphony Orchestra.  “Abbaphonic”,  and “The Music Of Rodgers And Hammerstein” with the Royal Philharmonic Orchestra. “Its Better With A Band” with the Prinsens Musikorps, And her recently launched album “Have You Met Miss Jones?” Most recently Ria has been understudy for Glenn Close at the ENO’s production of Sunset Boulevard, and is now on a UK tour of the show, playing the role of Norma Desmond.

Lara Pulver: Performer Patron

Known for her work on stage and TV shows such as Sherlock, Lara recently costarred in the hit mini-series Fleming with Dominic Cooper and will soon appearing in the new Tom Cruise feature film Edge of Tomorrow.
Starting out with a successful career on stage, Lara was nominated for a Laurence Olivier Award and a Theatregoers Choice Award for her of Lucille Frank in Parade at The Donmar Warehouse. Critics praised production, ‘Completing the cast is Lara Pulver, who follows her quite performance in Jason Robert Brown‘s The Last Five Years at the Chocolate Factory last year with another outstanding portrayal as Frank. 

She has now surely established herself as one of finest musical theatre performers in the UK.’  Lara’s screen career has included roles in television series’ such as Robin (BBC), True Blood (HBO) and Spooks (BBC). She is most well-known for portrayal of Irene Adler in the BAFTA award winning BBC series Sherlock. Lara is currently a series regular on US TV show Da Vinci’s Demons and after returning to the stage this autumn playing Louise in the musical Gypsy alongside Imelda Staunton at the Chichester Festival Theatre, she will be reprising the role in the West End. Lara’s previous theatre work includes: Uncle Vanya at The Festival Theatre; Parade at The Donmar Warehouse and Mark Taper Theatre, Los Angeles; Into The Woods at The Royal Opera House, Covent Garden; The Last Five Years at The Menier Chocolate Factory; Miss Saigon Cameron Mackintosh Ltd; The Royal National Theatre’s Honk! directed by Julia McKenzie; Beau Jest at The Hackney Empire; High Society directed by Ian Talbot; A Chorus Line at the Sheffield Crucible Theatre directed by Nikolai Foster; The Boy Friend at the Theatre Royal Windsor and UK tour; Chicago UK tour; Peggy Sawyer in 42nd Street UK tour; Grease at the Victoria Palace Theatre, West End; The Wizard of OZ at the Oldham Coliseum Theatre and Primrose Larkin in The Darling Buds of May UK tour. As a teenager, Lara’s passion for theatre was ignited from working extensively with the National Youth Music Theatre appearing in numerous productions including Pendragon at The Lyric Theatre, Hammersmith, Edinburgh Festival Theatre, The City Center Theater, New York and The National Theatre, Taipei. Lara most recently appeared as Louise in the critically acclaimed revival of Gypsy, first at CFT then at the Savoy Theatre. Her performance won her an Olivier award for Best Actress in a Supporting Role.

Diane Langton: Performer Patron

Diane trained at the Corona Academy and started her professional career as a dancer, touring with ballet companies throughout Europe, followed by appearances on That Was The Week That Was and the London Palladium.
In 1968 Diane won the part of Jeanie in Hair. She later worked with Joan Littlewood’s Theatre Workshop, and twice appeared at the Royal Court Theatre in Tooth of Crime andTee Zee. Her many West End Musicals inc: Jesus Christ Superstar, Two Gentlemen of Verona , Petra in A Little Night Music (directed by Hal Prince); Fastrada in Pippin (directed by Bob Fosse), Diana in A Chorus Line (directed by Michael Bennett) Angel in The Rink , Heather in I’m Getting My Act Together , Molly Molloy in Windy City , Silvia in Stepping Out ; Side by Side by Sondheim; How Lucky CanYou Get; Songbook ; Vi in Nell Dunn’s Steaming ; Grizabella in Cats (New London); Mama Morton inChicago (Adelphi); Carlotta in Follies (Royal Festival Hall) and the Birdlady in Mary Poppins (Prince Edward)

Other theatre credits inc: The Courtesan in The Comedy of Errors (National and Worldwide tours for the RSC);Pearl Lamont in Johnny On A Spot and Miss Lucie in Sweet Bird of Youth; Guys and Dolls (all National Theatre). She also developed a biographical musical What I Did For Love (RNT Studio), which as showcased to great acclaim. On TV Diane achieved national recognition for her part as Kathy Roberts in two hit series of The Rag Trade , and more recently as Nana McQueen in Hollyoaks ; Bev , Cindy Beale’s mother in Eastenders (BBC); Ruby Rowan , Nick Berry’s mother in Heartbeat and Junie , Del’s girlfriend in Only Fools and Horses. Her many other TV appearances inc: Alas Smith and Jones; Bergerac; Minder; Streets Apart; Boon; Starburst; Carry On Laughing; How To Be A Little Sod; Tonight at 8:30pm; The Bill; Doctors; Holby City; The Best of the Royal Variety Show and her own TV special Let There Be Langton. Diane’s recording credits inc : I Can Talk To You (EMI); Climbin (PYE) and many cast recordings. The Best of Andrew Lloyd Webber ; Bianca in a new recording of Cole Porter’s Kiss Me Kate (TER). She was invited by Marvin Hamlisch in 1978 to appear with him in concert at The Royal Albert Hall with the London Philharmonic Orchestra. In the same year Diane was given the honour of being invited to appear in the first of two Royal Variety Performances in the presence of Her Majesty the Queen Mother, the second being in 1982. She has had much success with her one-woman show with appearances at The Green Room and Pizza On The Park.

George Stiles (Music) and Antony Drewe (Lyrics): Creative Patrons

George Stiles: Music
Anthony Drewe: Book & Lyrics
Stiles and Drewe are a multi award-winning musical theatre writing partnership. They have written the scores for the Olivier Award nominated BETTY BLUE EYES, SOHO CINDERS, HONK!, JUST SO, PETER PAN – A MUSICAL ADVENTURE, TUTANKHAMUN and the new songs, dance and vocal arrangements for the world-wide smash-hit Cameron Mackintosh/Disney production of MARY POPPINS. Since winning the Olivier Award for Best New Musical, HONK! has been seen by more than 6 million people all over the world in over 8,000 productions in more than 20 languages.
Current projects include WIND IN THE WILLOWS with Julian Fellowes for the West End, a new adaptation of Graham Greene’s TRAVELS WITH MY AUNT, and a new version of HALF A SIXPENCE for Cameron Mackintosh. All three had their UK premieres in 2016. In development they have SOAPDISH for Broadway, and a new project with director/choreographer Jerry Mitchell.

Stiles and Drewe have also completed a trilogy of 50-minute musicals for younger audiences, GOLDILOCKS AND THE THREE BEARS, THE THREE BILLY GOATS GRUFF and THREE LITTLE PIGS, which recently enjoyed a run at London’s Palace Theatre. Independently, George composed the musicals MOLL FLANDERS, THE THREE MUSKETEERS and TOM JONES, and the music for Sam Mendes’ productions of TWELFTH NIGHT and UNCLE VANYA. Anthony has written lyrics for the musicals THE CARD and A TWIST OF FATE. Stiles and Drewe have written two revues, and have contributed songs to a variety of theatre, TV and radio shows including the RSC’s SHAKESPEARE REVUE, the National Theatre’s CHAIN PLAY and Dame Edna Everage’s LOOK AT ME WHEN I’M TALKING TO YOU. Stiles and Drewe’s many awards include: The Laurence Olivier Award for Best New Musical (Honk!), three of the top prizes at the International Musical of the Year Awards for Peter Pan and The Three Musketeers, the TMA Best Musical Award (Moll Flanders), The Straits Times Award for Best Musical (A Twist of Fate), the first ever Vivian Ellis Prize (Just So). Mary Poppins has won 45 major theatre awards around the globe including Tony, Olivier, Helpmann and London Evening Standard Awards. George and Anthony recognise new musical theatre writing via their annual “Stiles and Drewe Best New Song Prize”, now in its 9th year, and in 2016 launched their new “Mentorship Award” supported by Music Theatre International (MTI). They are also founding board members of Mercury Musical Developments (MMD).

Sue Vincent: Performer Patron

Sue always had showbiz ambitions after watching Pauline Quirk on Junior Showtime. One of her earliest memories was of pretending to be one of Pan’s People while dancing around the lounge dressed in a swimsuit and wellies. At the age of five, she was thrown out of tap dancing classes because they said she had no rhythm. But undeterred, Sue was accepted into the Fiona Martin School of Speech & Drama based at The Adelphi Hotel in Liverpool.
It was a turning point. Even though she no longer had any use for her red leather tap shoes, she knew that she had found her niche. Her dancing days were rediscovered, briefly, at the age of 10, when she won the school disco dancing competition, thrusting inappropriately to Disco Inferno. Although thrilled with her triumph, the prize of a bumper bag of Chewits came as a great disappointment.

In 1994, Sue enrolled at the Hertfordshire Theatre School and after graduating helped set up The Market Theatre in Hitchin, Hertfordshire, a professional theatre for new writing. Her first play Eyes Down Looking premiered in 1999 and then went on to sell out at The Hen & Chickens Theatre on the London Fringe.

After being invited to join Comedy Rep at The Soho Theatre in 2003, Eyes Down Looking was renamed Girls In Season and performed as part of their spring season. Sue worked as part of the regular writing team with The Comedy Project at The Soho Theatre for the following three seasons and also worked on the London Comedy Circuit with her character ‘Bubbly Brenda’, a bitter Butlin’s redcoat.

Her television appearances include Coronation StreetBad EducationMidsomer Murders and Fresh Meat. She is best known as Derilee in the final series of Shameless on Channel 4 and as Margaret, the long-suffering wife of Uncle Terry (Ted Robbins) in Mount Pleasant (SKY1).

In 2016, Sue appeared alongside David Hasselhoff in Hoff The Record (Dave), Holby City and Doctors (BBC1)

Amanda Abbington: Performer Patron

Originally trained at the Hertfordshire Theatre School.

Roles in Theatre inc: Beverly in Abigail’s Party (40th anniversary tour), God Bless the Child at the Royal Court

TV inc: Maude in Plotlands, Shona in 20 Things to Do Before You’re 30, Sonia in Bernard’s Watch, Man Stroke Woman, Siobhan Casey in After You’ve Gone, Babs in Married Single Other, Miss Mardle in Mr Selfridge, the voice of Gwen in Dinopaws, DS Jo Moffat in Cuffs, Fran in Stag, but is probably most well known for playing Mary Morstan in Sherlock, for which she won the Crime Thriller Award for Best Supporting Actress, and was nominated for a prestigious Critics’ Choice Television Award for Best Supporting Actress in a Movie/Miniseries